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Ed Hughes: Voyage To The Moon (Score)

Ed Hughes: Voyage To The Moon (Parts)

A Hymn to the Thames

A Hymn to the Thames

A Hymn to the Thames was commissioned by James Turnbull and the Music Director of the St Paul’s Sinfonia, Andrew Morley. It was begun in 2019 and completed early in 2020. There are four movements played without a break, which follow the Thames from its Cotswold source to the North Sea. As the first performance took place in St ALfege’s Church, Greenwich, this seemed appropriate. The solo oboe represents both a wanderer along the river path and the spirit of the river. The pitch centres of the movements spell out the musical letters of the river (tHAmES—B natural, A, E and E flat) so that the river’s name is projected across the whole work. In addition, the musical letters found in James Turnbull, Andrew Morley and my wife, Teresa Cahill ( who was born in Maidenhead and brought up by the river in Rotherhithe) are entwined in various guises. The first movement grows from the depths, the soloist entering with fanfare-like gestures, followed by lyrical music and breaks into a dance as the river gathers momentum. The third movement is slow and sustained and geographically the Thames flows through Oxford. The music is based on the well-known In Nomine ‘head motif’ from the Gloria tibi Trinitas Mass by the early Tudor composer, John Taverner, who was the first Director of Music at Christ Church, Oxford. The orchestra provides a screen or veil above which the solo oboe dreams and ruminates. This leads directly into the fourth and final movement which begins in the depths once more, interrupting the oboe’s held note from the end of the third movement. The waters’ increasing intensity and power are represented throughout by a moto perpetuo of quick, steady semiquavers. Near the close, the woodwind play O Nata Lux by Thomas Tallis, the great Tudor composer who, with his wife Joan, is buried in St Alfege’s. Beneath this, the lower strings continue the fast semiquaver movement of the river and, above, the violins are heard as a halo of harmonics. At the close, the oboe rises, opening out to the future, and celebrating its voyage, while the orchestra fades as the river meets the sea. A Hymn to the Thames lasts approximately 17 minutes.

SEK 271.00
1

James Weeks: Ave Maris Stella

Laurence Roman: Columba Canticles (Performing Score)

Ed Hughes: Against That Time - Three Songs To Sonnets By Shakespeare

Ed Hughes: Night Music

Sadie Harrison: Gulistan‐e Nur (The Rosegarden Of Light) - String Sextet Parts

Sadie Harrison: Gulistan‐e Nur (The Rosegarden Of Light) - String Sextet Parts

Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns, 2 Vlas, 1 Cello, 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble, alto, bass parts (transpositions available), Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble), Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl) Interlude 2, Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3, Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014, several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School, home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results, leaving a number of students (and ANIM’s founder and Director, Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances, ANIM continues to provide an extraordinary learning environment for all its students regardless of gender, ethnicity or social circumstances. They are committed to assuring musical rights, rebuilding lives through music, training future music educators, establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul, particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and peace through the teaching, writing and performance of music worldwide. Cuatro Puntos gave the premiere on 24 September 2015 at the Lutheran Church of St. Mark, Glastonbury, Connecticut, USA. Gulistan-e Nur: The Rosegarden of Light was commissioned with generous support from the Arts Council England International Development Fund and the Ambache Charitable Trust.

SEK 699.00
1

Sadie Harrison: Gulistan‐e Nur (The Rosegarden Of Light) - String Sextet Score

Sadie Harrison: Gulistan‐e Nur (The Rosegarden Of Light) - String Sextet Score

Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns, 2 Vlas, 1 Cello, 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble, alto, bass parts (transpositions available), Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble), Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl) Interlude 2, Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3, Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014, several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School, home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results, leaving a number of students (and ANIM’s founder and Director, Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances, ANIM continues to provide an extraordinary learning environment for all its students regardless of gender, ethnicity or social circumstances. They are committed to assuring musical rights, rebuilding lives through music, training future music educators, establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul, particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and peace through the teaching, writing and performance of music worldwide. Cuatro Puntos gave the premiere on 24 September 2015 at the Lutheran Church of St. Mark, Glastonbury, Connecticut, USA. Gulistan-e Nur: The Rosegarden of Light was commissioned with generous support from the Arts Council England International Development Fund and the Ambache Charitable Trust.

SEK 313.00
1