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The Last Flower On Earth Vocal Score

Cyril Ornadel and Kelvin Reynolds. A new ecological musical in two acts set 30 years into the future. The rivers and land are polluted and the children of the village have never seen a flower, bee or sheep. Twelve lively musical numbers plus reprises by Cyril Ornadel, composer of such famous West End musicals as ?Pickwick?. Songs include ?The Factory?, ?Live For Today?, ?Rainbow Valley?, ?Tree Spirits? and ?For Tomorrow?. Four principal parts and 12 further speaking roles. Orchestral parts on hire.

The Last Flower On Earth Lyrics and Libretto

Cyril Ornadel and Kelvin Reynolds. A new ecological musical in two acts set 30 years into the future. The rivers and land are polluted and the children of the village have never seen a flower, bee or sheep. Twelve lively musical numbers plus reprises by Cyril Ornadel, composer of such famous West End musicals as ?Pickwick?. Songs include ?The Factory?, ?Live For Today?, ?Rainbow Valley?, ?Tree Spirits? and ?For Tomorrow?. Four principal parts and 12 further speaking roles. Orchestral parts on hire.

Eric Whitacre: Three Flower Songs (SATB)

Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir, includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song, really. All of the musical suggestions come from a careful study of the poem, a quiet, passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction, and this mood must prevail in the performance: shy and sullen, her passion surging to the surface only to sink back into the silence that is herself.Go, Lovely RoseThe piece is structured around the cyclical life of a rose, and is connection throughout by the opening 'rose motif', a seed that begins on the tonic and grows in all directions before it blossoms, dies and grows again. Each season is represented: spring begins the piece, summer appears at bar 13, autumn at bar 26, winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfect Fibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approached with a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas, its success is guaranteed. Water: At bar 30, this ostinato should be fluid and gentle, only interrupted at bar 32 as the butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars, another patient, sensuous transformation back to fire. Fire: Everything else.

Banjo Picking Pattern Chart

Over 190 licks and picking patterns at your fingertips for the 5-string banjo! Quickly and easily select picking patterns by chord to substitute in songs you already play, or combine patterns of your choice to create your own arrangements. The licks are organized and grouped by type, use, and by chord for on the spot improvising, arranging, and for changing a song you already know to make it "yours!" This easy to follow Picking Patterns Chart includes: traditional bluegrass licks and popular variations, roll patterns and variations, melodic style patterns, common up the neck licks, back up licks and moveable patterns for any chord, "famous" patterns by chord, licks identified from songs, moveable patterns by shape, licks for specific chords, pick up notes to begin a song, and popular endings. This easy to follow layout is organized for study as well. Students who follow this chart in order, from the first lick to the last, will find that it also teaches ?lick? theory as it pertains to the identification, development and applications of licks in a brief, easy to understand method. A suggested exercise on how to improvise completes the chart. This chart fills a gap in understanding and applying banjo licks for all level players. It builds on the knowledge base of 5-string banjo students with an easy to follow layout by pattern type and technique. . . AND, is fun and easy to use! For all levels ? especially the intermediate player ? Standard G tuning, Key of G.

Stephen Albert: Flower Of The Mountain (Soprano/Piano)

In the words of Stephen Ledbetter:'Flower of the Mountain sets...words of Molly Bloom (drawn) from the close of Joyce's Ulysses. Molly is a middle-aged woman, lying awake in bed next to her sleeping husband, Leopold. Her long monologue, a seemingly random melange of ideas in a stream of consciousness, moves back and forth between her boorish lover Boylan and her aging husband. As she begins to drift off to sleep, she recalls the day 16 years earlier when Leopold asked her to marry him.' '...The wonderful directness of (his) setting eliminates any need for extensive analysis, except to note that the work grows in intensity, archlike, as the fragmentary images circling Molly's somnolent mind build to a climax of energy and activity, returning at the end to the gentle lulling of the opening -- Molly's final, quiet thoughts as she drops off to sleep.' This is the Vocal score for the singer's ease of practice.

Thurrkad Blom (Dried Flower)

Ruiskukka (The Corn-flower)

Michael Hurd: Flower Songs

For SSA Choir and Piano.

E'en as a lovely flower

Kohler: Flower Waltzes Op 87

Flower Speech : Cycle of Songs

A Curving Flower of Gold

I Praise The Tender Flower

I have loved flowers that fade is the first movement of Gerald Finzi's Seven Poems of Robert Bridges, op. 17. For mixed choir, with piano accompaniment for rehearsal only. Text by Robert Bridges.

Fun with Strums - 5-String Banjo

An ideal instructional text for any banjoist wanting to accompany singing. Each song contains a different strum pattern.

FuSe Pattern : Images in Sound 2

Saarikoski Songs

These three songs, written for the Finnish operatic soprano, Anu Komsi, take texts by Pentti Saarikoski, one of the most important poets in the literary scene of Finland during the 1960s and 1970s.

Flower of the Cherry: Robin's Lullaby

Flower Duet From Lakme (Woods) Harp

Graves, R Cornish Flower Dance Sa

E'en as a lovely Flower in E

Vocal Range: c#'-e''The edition is part of the ABRSM syllabus (grade 7)

You're like a flower, Romance op. 21

Moving Up : A first set of pieces in second position

Each piece uses second position throughout, without change of finger-pattern. A preliminary exercise fot the appropriate key is given at the end of the violin part.

Mary Cohen: Space It!

Space It! is Mary Cohen's tuneful introduction to 2nd finger spacing. It is a collection of easy well-known pieces for violin. Each tune is presented on a double-page spread in two versions: first in finger pattern one, then, at a different octave, in finger pattern two. Useful hints and fingering charts ease the pupil through each piece and brilliant alien characters are guaranteed to liven up violin lessons.

Music from Carmen : Habenera, Flower Song, Toreador Song

Bouquet of Color : 10 Original Piano Pieces Inspired by Flowers - Later Elementary to Early Intermediate Level

A collection of expressive pieces for advancing pianists, young and old. Each piece is carefully crafted to enable students to discover their individual lyricism. Ikeda includes notes about each flower and what they mean to her. Features 9 solos and a duet. Titles: Through a Flower Field · Four-Leaf Clover · Lily of the Valley · Snowdrops · Freesias · Irises · Sunflowers · Asters · Labyrinth of Blue Roses · Bouquet (a duet).