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Bastien Piano Basics: Wipe-off Major Scales & Primary Chords

Books you can use again and again! Simply use the special pen and wipe off when finished.

Bastien Piano Basics: Wipe-Off Note Speller

Books you can use again and again! Simply use the special pen and wipe off when finished.

The Best of Carole King

Carole King practically owned the radio airwaves in the early ‘70s with her easy flowing songs and heartfelt performances. This medley includes four mega-hits from her pen.

It's Easy To Play Chopin

Twenty-four great compositions from the pen of Chopin in easy-to-play arrangements. Includes many of his classic pieces such as 'Berceuse', 'Prelude (Raindrop)' and 'Etude No.3'.

It's Easy To Play Beethoven

A selection of 20 masterpieces from the pen of Beethoven. Many of his most famous works are included: Moonlight Sonata, Fur Elise, and the Adagio from the Pathetique Sonata.

Bastien Piano Basics: Wipe-off Minor Scales & Primary Chords

Books you can use again and again! Simply use the special pen and wipe off when finished. This is a fantastic fun and involving method for teaching Minor Scales & Primary Chords.

Bastien Piano Basics: Wipe-off Key Signatures

Books you can use again and again! Simply use the special pen and wipe off when finished. A creative and fun way to learn about key signatures in the treble and bass clef.

Je Te Veux : Valse Pour Cello et Piano

Erik Satie's charming fin-de-siecle waltz first appeared as a song in 1903. It was then transcribed by the composer for Piano solo and now is released for Cello and Piano by the talented pen of international soloist Mats Lidstrom.

Challan Glissades 2 Mains Remonte Pen Tes Dgts Croises Lm057 Harp Book

Pure Spirit

Here is a strikingly different composition for jazz ensemble from the pen of acclaimed jazz pianist and writer Steve Allee. Featuring a floating texture of parallel harmonics and melodic lines, Pure Spirit is a fresh-sounding and rewarding piece for the entire ensemble.

Moses Hogan: Ain't That Good News! SATB

Five dynamic and creative arrangements from the pen of Moses Hogan make up this exciting new collection. John Purifoy has edited each arrangement from their original multi-voiced form to make Hogan's writing completely accessible to all choirs. The piano accompaniments are supportive and creative.

Bastien: Wipe-Off Keyboards And Staffs

Books you can use again and again! Simply use the special pen and wipe off when finished. This book is designed for students of all levels. The versatility of it provides endless possibilities for notation, chord study, rhythm exercises, dictation, or any activity of your choice.

Two Folk Songs : for Tenor Saxophone and piano

Two Folksongs contains no traditional folk-songs, but rather two original pieces from the pen of the Dutch composer Jacob de Haan. The first piece, Klezmerantics, as the name implies is written in the Klezmer-style and Dancing Dalmatians is a dance in a popular music style.

Two Folk Songs : for Trombone and piano

Two Folksongs contains no traditional folk-songs, but rather two original pieces from the pen of the Dutch composer Jacob de Haan. The first piece, Klezmerantics, as the name implies is written in the Klezmer-style and Dancing Dalmatians is a dance in a popular music style.

Strike Up the Band

From the Count Basie library, this classic flag-waver from the pen of Sammy Nestico is available again! A true tour de force for every section of the band, this monster chart features blistering brass, wailing saxes, a tenor solo, and a great fullensemble shout. Strike it up!

James Weeks: Two Perscriptions

James Weeks ' Two Perscriptions for Piano. I - Gloomy Clouds (2002/4) II – Ring (2002/3) ' Perscription is 'writing-through' (reading done with the pen). Gloomy Clouds dissolves the notes of Liszt's Nuages Gris into contrapuntal nebulae; Ring is a series of four canons on Howard Skempton's chordal Ring in the Valiant. ' - James Weeks

Silverbrook

Rarely does a Grade 2 composition contain as much musical depth and variety as this powerhouse from the pen of Michael Sweeney. The impressive opening strains lead to a fast-paced ostinato accompanying an explosive melody in the trumpets.After adelicate lyric section, the fast pace returns and the piece drives to a powerful finish.

The Cry of Jeremiah

Commissioned by the American Guild of Organists for their 2012 convention, here is the first major work from the pen of Rosephanye Powell. With text from the Book of Jeremiah, the four movements follow the prophet's feelings of abandonment and redemption by God. Powell combines this ancient text with music that draws simultaneously from the African American musical heritage, as well as the classical music traditions.

Galante Rossano Crosslands Score Only

Creating a musical representation of earth's grand vistas and landscapes, Crosslands opens with a delicate, simple theme that is pastoral and reflective. Building to a bold heroic theme stated by Trumpets and Horns, the piece then concludes as the music subsides quietly representing the soft rays of a picturesque ocean sunset. Another beautifully descriptive work for winds from the pen of Rossano Galante . Dur: 4:10.

Windjammer : Voyage aboard a Tall Ship

Windjammers were the last of the great sailing tall ships, and this piece from the pen of Robert Buckley captures the majesty and excitement of these amazing vessels. The voyage begins announced by three solo trumpets surrounding the audience and bouncing musical phrases off one another. The sails are raised, the ship is underway, and the audience is taken on a colorful and exciting musical voyage. This is effective and skillfully scored programmatic music at its best.

Anton Bruckner: Te Deum Laudamus (Vocal Score)

Bruckner singled out this work as his own personal favorite, referring to it as "the pride of my life." It is certainly one of the most positive, joyous, and compelling ever to come from his pen and is believed to have been the last music of his which he attended in live performance. The original Te Deum was writte for quartet of solo voices, full chorus of mixed voices, Organ and Orchestra; this, the vocal score, replaces this instrumental accompaniment with piano.

Edvard Grieg: Masterpieces For Solo Piano - 23 Works

Edvard Grieg knew well how to set a mood and pen a memorable tune in an uncomplicated way. Immediately accessible to pianists on even an early-intermediate level, these popular works by the great 19th century Norwegian composer are justly famous for his special brand of lyric sensitivity and wonderfully melodic invention attainable through simple means. Reproduced from authoritative sources, this handsome compilation of Grieg favourites offers all pianists the convenience of a single low-priced edition of his greatest music for solo piano.

Uffe Markussen: Back To Basics

This music you?re about to hear brings back a lot of memories, invincible ones: the quintet sound of the Golson/Fuller collaboration, it brings back all the fire and wide orientation of the Jackie McLean/Grachan Moncur Blue Note recordings and the royal ballad playing of Lester Young. Dexter Gordon, Clifford Jordan And John Coltrane were hovering at that time, so this Uffe Markussen?s Danish story tale unfolds with a deep yearning. A detailed and coherent soundscape of torch-songs, standards, the stark moods from the pen of Monk, Dorham, Dolphy and Markussen himself.

Poldowski: Tango for Violin and Piano

Tango is a dance style piece for Violin and Piano, written by Poldowski . They were composed for the Violin virtuoso Pawel Kochanski (1887-1934). Poldowski was pen name of the Belgian-British composer and pianist Regine Wieniawski , later Lady Dean Paul (1879-1932). She studied Piano at Brussels, London, and Paris, and started performed her own compositions at the age of 14. She initially adopted the pseudonym in order to pose as a male, but later cast of the anonymity, even performing under the false name. She is best remembered for her chamber compositions, and the many songs she wrote, both in English and in French.

The Faber Music Manuscript Notebook : for composers and songwriters

This superior Manuscript Notebook is designed to inspire all musicians to compose. It contains 240 pages of high-quality 120gsm white paper, ideal for ink or pencil. The sewn binding allows for lie-flat pages, a page-finder ribbon helps you keep your place, and the elastic closure and pen loop provide ease of use. Each page presents twelve 6mm staves, designed with optimal spacing and line weight, plus an increased left-hand margin to allow for instrumentation indications. The cover features an extract from the manuscript of Thomas Adès’ In Seven Days score and quotes from composers and songwriters provide inspiration on the inside endpapers.