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Donna Diana

Emil Nikolaus V. Reznicek was born on May 4,1860. Though he was originally destined for ajudicial career, his nature (that of a true musician)soon pointed him in the direction of music. As anorchestral conductor and a highly regarded musicteacher he made his mark in a number of cities,including Mannheim and Berlin. As a composer hesprang to fame with his opera Donna Diana(1894), a lasting success which placed him in theforefront of German composers. The overture toDonna Diana is unique in its freshness and sunnycheerfulness. Wil van der Beek, who has alreadywritten many arrangements of classical pieces forwind band, has maintained the spirit of theoriginal composition.

Donna Diana

Emil Nikolaus V. Reznicek was born on May 4,1860. Though he was originally destined for ajudicial career, his nature (that of a true musician)soon pointed him in the direction of music. As anorchestral conductor and a highly regarded musicteacher he made his mark in a number of cities,including Mannheim and Berlin. As a composer hesprang to fame with his opera Donna Diana(1894), a lasting success which placed him in theforefront of German composers. The overture toDonna Diana is unique in its freshness and sunnycheerfulness. Wil van der Beek, who has alreadywritten many arrangements of classical pieces forwind band, has maintained the spirit of theoriginal composition.

Born to be Wild

This arrangement of "Born to be wild" is based on the song by the band Steppenwolf recorded late in the 1960's. Young musicians can be featured as soloists, using their voice and the instrument. The arrangement also works very well without soloists.

Born to be Wild

This arrangement of "Born to be wild" is based on the song by the band Steppenwolf recorded late in the 1960's. Young musicians can be featured as soloists, using their voice and the instrument. The arrangement also works very well without soloists.

It Had Better Be Tonight

Thanks in part to a hot recording by Michael Bublé, this familiar melody from “The Pink Panther” has enjoyed renewed popularity. This exciting version for the concert stage features a driving Latin pulse, powerful brass riffs, and rhythmic energythroughout. Sure to be a fun and entertaining number.

Bent Sørensen: Birds And Bells (Score)

Solo trombone = WH31606Programme Note Bent Sørensen BIRDS AND BELLS, Trombone ConcertoBIRDS AND BELLS was composed in 1995 for the Swedish trombonist Christian Lindberg. As the title suggests it is not a 'roaring' trombone concerto but rather a 'pianissimo concerto' filled with the contents of the title.It must be emphasized that 'bells' here has nothing to do with death or destruction which connoisseurs of my music might be tempted to think. The work is in three movements which are played without a break. The second movement ends with a kind of 'pseudo-nightingale cadenza', and I feel the third to be a slow lullaby.BIRDS AND BELLS was premiered on 30.4.1996 with Christian Lindberg and the Aarhus Sinfonietta conducted by Søren K. Hansen.Bent Sørensen

Youll Be Back

Hip to Be Square

Marching Band Edition of this popular band arrangement

Lady Be Good : Overture

Armada : Prepare to be Boarded!

Be Thou My Vision : Traditional Irish

The Lion King Medley : Circle of Life - I Just Can't Wait To Be King - Can You Feel The Love Tonight - King Of Pride Rock

The ’New Sounds’ series showcases the greatest and most popular titles in innovative arrangements by Japan’s top arrangers. This medley from The Lion King includes 'Circle of Life’, 'I Just Can't Wait To Be King’, 'Can You Feel The Love Tonight’ and 'King Of Pride Rock’.

The Arts of the Prima Donna : in the Long Nineteenth Century

Utrecht Jubilate : O Be Joyful - HWV 279

Oliver Knussen: Higglety Pigglety Pop - Full Score

Higglety Pigglety Pop! is the second of Knussen ’s two extraordinary fantasy operas created in collaboration with the acclaimed author Maurice Sendak. Composed between 1984-5 but finding its final form, after a number of substantial revisions, in 1999, the opera – subtitled ‘There Must be More to Life’ – is the story of a well-fed Sealyham terrier, Jennie, who escapes boredom to become prima donna of the Mother Goose World Theatre. Brimming with invention, this hour-long work culminates in a witty opera-within-an-opera, complete with a lopsided – and slightly screwy – overture after Mozart, absurdly abrupt changes of tone and gear, and numerous madcap false endings!

To Be or Not Tuba - Solo for Tuba

Secret Desire to be Black : for string quartet

Secret Desire to be Black : String Quartet No. 2

The Revolution Will Not Be Televised : Protest Music After Fukushima

Child Alice Part I : In Memory of a Summer Day

For Soprano and Orchestra From the composer's notes: Child Alice was conceived as a single continuity ... the various extracts may be performed separately. Options include: Part I of Child Alice may be played without Part II ·Part II of Child Alice may be played without Part I · Quaint Events (No. 1) and Happy Voices (No. 2) may be played as a unit · Quainty Events may be played separately · Happy Voices may be played separately · All in the GoldenAfternoon may by played separately.

Child Alice Part II/3 : All in the Golden Afternoon

For Soprano and Orchestra From the composer's notes: Child Alice was conceived as a single continuity ... the various extracts may be performed separately. Options include: Part II of Child Alicemay be played without Part I ·Quaint Events (No. 1) and Happy Voices (No. 2) may be played as a unit · Quainty Events may be played separately · Happy Voices may be played separately · All in the Golden Afternoon may by played separately.

Child Alice Part II/1 : Quaint Events

For Soprano and Orchestra From the composer's notes: Child Alice was conceived as a single continuity ... the various extracts may be performed separately. Options include: Part II of Child Alicemay be played without Part I ·Quaint Events (No. 1) and Happy Voices (No. 2) may be played as a unit · Quainty Events may be played separately · Happy Voices may be played separately · All in the Golden Afternoon may by played separately.

Verdi's Triumphs

This piece, as the title might suggest, brings together Verdi’s greatest operatic triumphs. Amongst his best hits are Nabucco from 1842, which signified a turn-around after the flop of a previous opera, as well as Rigoletto, which in 1851 propelled him to international fame. Verdi’s Triumphs features: Triumphmarch and Su! Del nilo al sacro lido from Aida, the Prisoners’ Freedom Choir from Nabucco and La donna è mobile from Rigoletto.

Sunleif Rasmussen: Den Gale Mands Have (Score)

The scores can be rented: hire@ewh.dk

Humanos

Jan Van der Roost was commissioned to write this hymn by the “International Association for Human Rights” in Frankfurt. The commission specified that the instrumentation of this simple hymn should be so, that it can be performed by a variety of combinations of players. The piece starts with an “intrada” for brass ensemble based on the first bars of the hymn, but is “ad libitum” and can therefore be omitted. The coda can also be left out, depending on the available instrumentation. The piece should be played “legato” to accentuate its hymn-like character.