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Elaine Gould: Behind Bars - The Definitive Guide To Music Notation

Elaine Gould: Behind Bars - The Definitive Guide To Music Notation

Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at a weighty 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis.

SEK 1108.00
1

Bach To The Future, Kopi

Bach To The Future, Kopi

Per Nørgård BACH TO THE FUTUREFor many years I have been specially fascinated by three of the preludes of Bach?s Well-tempered Piano, and I wish with this concerto-version for percussion-duo and orchestra to "highlight" some of the structural aspects of these pieces: It is my belief that there is a tradition in the music history, that makes it possible to let certain germs in an earlier period unfold into new, but not heterogenious, dimensions of a perhaps several hundred years later phase of the tradition.This concerto is a result of several years collaboration with Uffe Savery and Morten Friis ("Safri-Duo"), as well in original compositions - (Resonances, Repercussion, Resumé in EchoZone I-III) as in arrangements of the 3 Bach preludes, preparing for the enormous stylistic challenges of this work.A few introductory comments to each movement:I Movement: The archetypal sequence of broken chords within C-major has established itself as almost a cultural code, allowing the composer of 1996 to tell his tale-in-tones only by stressing and colouring the tones in the original piece without changing the pitches or (relative) durations as a ?palimpsest? containing as well the old as the new musical tale simultaneously. Later in the movement, this singleline is multiplied by the, till then discrete, but permanently pervading, proportion - throughout the piece - very close to the ?Golden Section?(= 3:5:8.t.i:8 before repetition, 5 before starting anew from the deepest tone, 3 as the rest etc. unchanged). The 3 tonal levels as well as the 3 relative speeds are treated according to these proportions for certain passages, but even in those the main focal point is directed at the freely invented melody (by me) incarnating itself solely by the unpermutad sequels of the original prelude.II Movement: One feature of the F sharp-prelude pervades all the six minutes-long second movement: A 4 times identical rhythmic pattern = 6:4:3:2:3:4:6 - as an hourglass-shaped timeshape - inspired me by the closeness of this pattern to a shape within the infinity-drumming of my invention, called Wide-Fan and Narrow-Fan , referring to pattern consisting of 8:4:2:1:2:4:8, the familiarity with the above - quoted one being obvious. New and old elaborations of this pattern-pair permeates the movement, especially since the Safri-Duo by their performance of my Repercussion had augmented my appetite for including this idiom in a wider context:III Movement: Without the existence of the d-minor-prelude I doubt that I would have dared to write a work like this, since it is the inexhaustible, rare quality and pecularity of this piece, which has stimulated my feeling of wonder and ?modernity? (or: eternity!) of this piece, of which I know of no equal in its special respect: the perpetual ambiguity of melodic foothold in the rhythmic ostinato of a broken descending triad, continuously lending one of its 3 possible positions in time to simple, melodic gestalt vaguely capturing, more or less (ir)resistible, the listener?s attention.By this threefold Hommage a J.S.B. I wish to close up in the rank of composers who already presented offerings to their great predecessor, himself being the unsurpassable offerer.Per Nørgård 4/2 97

SEK 1457.00
1

Verso il Sole : A Tribute to the Sun

Verso il Sole : A Tribute to the Sun

Since the beginning of mankind people have realized that the warmth and the light of the sun were necessary to develop life on earth - by creating winds in the air, by generating rains through the evaporation of sea water and by allowing plants to grow. The sun creates the dynamism of the chain of life. This is the reason why ancient populations adored the sun as the god of cosmic order as opposed to the god of chaos or night, who generated fear and the necessity of defense. This piece is a tribute to the sun (Verso il Sole) as an existential symbol of life and energy.

SEK 1277.00
1

The Air Race : A Tribute to KLM's Uiver

The Air Race : A Tribute to KLM's Uiver

In 1934, the city of Melbourne celebrated its centenary and marked the occasion with the MacRobertson International Air Race. KLM’s entry was its first DC-2, PH-AJU ‘Uiver’ (Stork), which took off on 20 October 1934. Shortly before the finish, the plane had to make an emergency landing due to poor weather conditions. The following morning, the entire town turned out to dig the aircraft out of the mud, enabling to resume its flight. Nonetheless, the distance was covered in three days, 18 hours and 17 minutes: a winning performance! This programmatic piece tells the story describing the start of the engines in bar one, the flight over the clouds, the thunderstorm, theemergency landing and many more scenes!

SEK 1921.00
1

The Chronicles of Narnia : The Lion, The Witch And The Wardrobe

The Chronicles of Narnia : The Lion, The Witch And The Wardrobe

The Disney hit movie The Chronicles of Narnia tells the story of four children who travel through a magical wardrobe to the land of Narnia and learn of their destiny to free it with the guidance of a talking lion. Much of the fantastic mystical atmosphere of the movie comes from Harry Gregson-Williams fantastic soundtrack. This medley features the highlights of the original soundtrack and it is sure to be a magical success in any concert.

SEK 1326.00
1

Music featured in the Film Lilo & Stitch : Wanna listen to the king, you look like an Elvis

Music featured in the Film Lilo & Stitch : Wanna listen to the king, you look like an Elvis

In this great Disney musical a little girl, Lilo, adopts what she believes is a puppy but is what turns out to be an alien that has landed on earth by mistake. Their friendship is sealed by their mutual love of the music of the king - Elvis Presley. This arrangement contains a selection of Elvis classics that were featured in the film and is sure leave your audience humming Elvis songs long after they have left the concert.

SEK 1455.00
1

Music featured in the Film Lilo & Stitch : Wanna listen to the king, you look like an Elvis

Music featured in the Film Lilo & Stitch : Wanna listen to the king, you look like an Elvis

In this great Disney musical a little girl, Lilo, adopts what she believes is a puppy but is what turns out to be an alien that has landed on earth by mistake. Their friendship is sealed by their mutual love of the music of the king - Elvis Presley. This arrangement contains a selection of Elvis classics that were featured in the film and is sure leave your audience humming Elvis songs long after they have left the concert.

SEK 1455.00
1