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Classical Guitar Lesson Pack : Boxed Set with Four Publications and One DVD in One Great Package

Classical Guitar Lesson Pack : Boxed Set with Four Publications and One DVD in One Great Package

Get started playing guitar with real songs and solid lessons covering everything you need: notes, chords, scales, techniques, and much more! The method's well-paced and logical teaching sequence will get beginning guitarists playing more easily than ever before, and music from famous composers like Beethoven, Bach and Mozart will keep them playing and having fun. This boxed set includes four books (Classical Guitar Method, Guitar Chord Chart, Guitar Scale Chart, and Guitar Theory Chart) and a Classical Guitar DVD with lessons demonstrating playing position, rest and free strokes, thumb and finger combinations, chordal harmonics, bass lines, slurred notes, sustained bassnotes, barre technique, arpeggios, vibrato, and more. Works for those who want to teach themselves or with a teacher!

SEK 410.00
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Reluctant Heroes - The Story of Elbow

Reluctant Heroes - The Story of Elbow

When Elbow won the Mercury Prize in 2008 for their fourth studio album - The Seldom Seen Kid - the accolade followed an organic 17 year long career marked by four classic albums and a cult following that cast them in the role of Manchester's best kept music secret.Elbow started out at a time when great songs and evocative lyrics were not generally recognised. Their music transcended genre, age and image, eventually finding its own distinctive global audience as Guy Garvey evolved into one of the most brilliant and intriguing lyricists of recent times.Reluctant Heroes charts Elbow's long journey from humble roots through modest success to international recognition. It features interviews with the band and those close to them to form the most complete band history to date.

SEK 255.00
1

Guitar Licks of the Texas Blues Rock Heroes

Guitar Licks of the Texas Blues Rock Heroes

With enough hot licks to set the whole Lone Star state afire, this book details the solo styles of legendary guitarists, complete with essential stylistic details that make the music come alive. You get it all, from pioneers like T-Bone Walker, Freddie King, and Lightnin' Hopkins, through the next generation of innovators like Stevie Ray Vaughan, Billy Gibbons, and Johnny Winter, and on to latter-day explorers like Eric Johnson. You'll learn more than 100 licks in the authentic style of each player, each lick with its own mini-lesson, performed by the author at half and full tempo on the accompanying CD. Also features: a rundown of each player's guitars, amps and effects • lists of must-have tracks, albums and videos • revealing quotes from dozens of 6-string notables • essential tips on tone and style • insight-filled lessons.

SEK 240.00
1

Ballad of Heroes op. 14

Ballad of Heroes op. 14

for tenor (or soprano) solo, chorus and orchestra Scoring: 3 (II=picc), 2, ca (=obIII), 2 , cl in Eb, 2, dbl bn (=bnIII) - 4, 2, 3, 1 - timps, 2 perc (xyl, sd, td, bd, whip, cymb) - harp, strings - OFFSTAGE: 3 trumpets in C - sd (optional instruments are ca, dbl bn, offstage tpts and sd). Britten asks for the offstage instruments to be in a gallery or 'isolated position', and later to be out of sight. Text: W H Auden and Randall Swingler Publisher: Boosey & Hawkes Difficulty level: 3 (for chorus) This highly dramatic and rarely performed work was written for a Festival of Music for the People and first performed on 5 April 1939 at the Queen's Hall, London, conducted by Constant Lambert. It is another of Britten's passionate outbursts against the waste and horror of war which had already engulfed Europe once earlier in the century and was about to do so for the second time. The declaration of war was made on 3 September that year. His choice of texts is highly significant. He had collaborated with Randall Swingler as recently as the previous year on his short unaccompanied choral work Advance Democracy - another politically motivated piece (see separate entry). Both Swingler and Auden were aiming in their poems to goad the downtrodden Englishman into standing up and fully living the life of freedom for which their forebears fought and lost their lives. Swingler's lines which say: 'You who lean at the corner and say We have done our best, ...To you we speak, you numberless Englishmen, To remind you of the greatness still among you...Your life is yours, for which they died'. sum up the essence of the message of the piece. The work is in three continuous movements. First comes a Funeral March (to Swingler's poem part-quoted above), then a manic Scherzo, a Dance of Death to a rum-te-tum verse by Auden which only increases its sense of the macabre. Finally comes a slow and powerful recitative and chorale and a slow Epilogue in which the funeral march music from the opening returns. Virtually the whole of the first section of the opening movement is in unison for the chorus. The slow tread of the funeral march is given an added solemnity by this unison singing. The first ten bars are recited on a low C, the next eight bars an octave higher, and after this there is a mixture of simple harmony (more to avoid high notes for low voices) and further unison singing for the rest of the movement. The Scherzo is interesting in setting out the first three vocal parts in a kind of fugal progress. The tenors have the first complete statement in the home key (G minor), the altos are next in the dominant but by themselves, the sopranos are next in line and back in the tonic - again by themselves, and finally the basses have the subject but this time as the basis of a canon at the unison between them and the altos (in a truncated version).

SEK 292.00
1