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Samuel Adler: Fantasy For Piano

Samuel Adler: Fantasy For Piano

Fantasy For Piano was composed by Samuel Adler  for his former student Michael Brown, who premiered the work at Juilliard, at a concert featuring works by Adler  in honour of his 85th birthday. This one-movement work begins with a majestic introduction that is interrupted twice by short spurts of agitated music. This unfolds into a fast, virtuosic main section that was composed to show off the dexterity of the soloist. Adler  himself wrote about the work, "I have always felt that we are living in a most exciting time and the agitation and exuberance of this main section is to demonstrate my very optimistic outlook."

SEK 224.00
1

Michael Bublé: To Be Loved

Michael Bublé: To Be Loved

Michael Bublé is the singer who proves that the age of the crooner is only just hitting its stride. Whether performing golden standards or new compositions, Bublé consistently tops charts across the world.This songbook features all the songs from Michael Bublé's eighth studio album, To Be Loved, arranged for Piano, Voice and Guitar. The album comprises ten covers and four new songs. Bonus features include the three songs from from the deluxe version of To Be Loved, Be My Baby, It's a Beautiful Day (Swing Mix) and My Melencholy Baby, as well as an eight page colour photo section.

SEK 325.00
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Into Sound : fifty etudes to make the flute be your voice

Into Sound : fifty etudes to make the flute be your voice

Into Sound stems from the need to provide the basics and technique of flute sound emission, through a pragmatic approach that analyses all aspects related to posture, lip support and breathing. The author emphasises the importance of the different parts of the body involved, highlighting the areas used to execute certain techniques (the throat for vibrato, legato and modulation, the diaphragm for staccato, the mouthpiece for arpeggios, tremolos and chromatism). The aim is to offer daily training to improve these aspects through 50 studies, “... for making the flute your voice”. Giampaolo Pretto’s work has the merit of being enjoyable, avoiding the repetitiveness of technical exercises and exploiting the student’s musical sense. Aimed mainly at students have intermediate or advanced grade, it can also be useful for beginners, who can use it to carry out exercises prior to playing.

SEK 276.00
1

Chris Adler/Jason Bittner: Live At The Modern Drummer Festival 2005

Chris Adler/Jason Bittner: Live At The Modern Drummer Festival 2005

Two stars of the drumming world showcase their remarkable talents at the Modern Drumming Festival 2005, with full performances, in-depth interviews and a generous selection of bonus footage.See incredible close-up performances by these two masters of metal as both players demonstrate what they do best. However, this is not just a performance demonstration, as both Adler and Bittner discuss the full range of their techniques, musical concepts and practice routines. There are excerpts from clinics, chats with the drum-techs and lots of intimate one-to-one examples of the drumming skills that make both players two of the very best in the business.

SEK 290.00
1

Nico Muhly: It Remains To Be Seen (Full Score)

Nico Muhly: It Remains To Be Seen (Full Score)

Nico Muhly's It Remains To Be Seen was written in 2006 for for full Orchestra and has a duration of approximately 11 minutes. Composers Note: It Remains to be Seen was written for the Boston University Tanglewood Institute’s 40th Anniversary Gala in July 2006. The piece begins with a chord identical to the one at the end of Stravinsky’s Firebird suite and proceeds into a series of charged nocturnal episodes. I wanted to treat the feeling of having just heard music, and being expected to make one’s own – referencing the experience of leaving a BSO concert at the shed, walking back to BUTI on a curvy back road, arguing about music in pairs and threes, and at the sign of bright headlights from behind, reorganizing in single file as a car filled with happy concert-goers speeds by. The piece is a nine-minute navigation of an excited, occasionally illuminated, dark road filled with arguing, cars, fragments of remembered music, and a constant, propulsive pulse. Nico Muhly

SEK 335.00
1

Nobody Wants To Be A Donkey : 2-part / Unison Voices and Piano

Nobody Wants To Be A Donkey : 2-part / Unison Voices and Piano

Nobody wants to be a donkey is a lively nativity musical by Lin Marsh which tells the traditional Christmas story with plenty of humour and engaging songs that children will love singing. The poor old donkey hates having to wear those ears that the others laugh at, but everyone gradually realises that the donkey may be one of the most important characters in the story. With 36 speaking parts this nativity is suitable for a whole primary school production, or for Key Stage 2. The songs are in a fun, modern style and there’s even one for the staff to sing! Exciting performance and backing tracks are available to download to help schools without a pianist.

SEK 226.00
1

Dave Adler: The Total Keyboard Player

Dave Adler: The Total Keyboard Player

Do you play the keyboards in your sleep? Do you dream in black and white? Do you love the smell of a freshly opened instrument case? Do you live for the feel of the keys beneath your fingers? If you answered in the affirmative to one or more of these questions, then read on, brave musical warrior! All you seek is here: the history, the tricks, the stops, the patches, the plays, the holds, the fingering, the dynamics, the exercises, the magic. Everything you always wanted to know about keyboards, all in one amazing key-centric compendium. Stop searching, you have found the source! Read, listen, then go forth and rock!

SEK 286.00
1

Go Down to the River : Performance/Accompaniment & Split-Track CD

Go Down to the River : Performance/Accompaniment & Split-Track CD

This effective story-telling song is arranged for SATB voices and down-home bluegrass band. The toe-tapping rhythm sets the stage for the message that calls for everyone to go down to the River to be washed, and to be set free. This effective story-telling song is arranged for SATB voices and down-home bluegrass band. The toe-tapping rhythm sets the stage for the message that calls for everyone to go down to the River to be washed, and to be set free.

SEK 394.00
1

Be/dazzled

Be/dazzled

Be/dazzled, concertino for Electric Violin and Chamber Orchestra, draws its inspiration from the first line of a text that is a paraphrase of the second Logion (sayings attributed to Christ) from the Gospel according to Thomas: "Let him seek and cease not ’til he finds, and when he finds he will be troubled, and when he has been troubled, he shall marvel: and he will reign over the All." The solo violinist is cast as the seeker. The opening cadenza has a searching quality which is developed in a dialogue between the soloist and the orchestra. The ending moves towards the idea of the title: that there is an opening into dazzling brilliance and understanding of the All.

SEK 350.00
1

I Want To Be A Guitarist

I Want To Be A Guitarist

This children’s album by renowned Czech composer-guitarist Lukáš Sommer reflects the latest trends in playing and teaching the Guitar. It is suitable for the first three years of lessons. Some of the pieces have even been performed by children and young Guitar students at competitions and concerts in Europe.Each of these little programme pieces is written in a different style with brief explanations of its technical features. Several are composed in an open-ended form that allows players to define the rhythm or to add an accompaniment on open bass strings. In this way the author grants leeway to the learners’ creativity and stimulates their musicalimagination.The pieces are easy to play and the edition comes with attractive illustrations.

SEK 218.00
1

Allein Gott in der Höh' sei Ehr : All Glory Be to God on High

Allein Gott in der Höh' sei Ehr : All Glory Be to God on High

Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.

SEK 236.00
1