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Tiny Tutors: Howling Harmonica

Tiny Tutors: Howling Harmonica

Small is beautiful! Your Tiny Tutor box contains a genuine fun-sized instrument, plus instructions on how to play it. Unlike the Tuba or Bassoon, you'll never have any trouble getting on the bus with it, and at home, the whole thing takes up no more space that a book!The contents include:HarmonicaFull colour, illustrated How-To-Play bookCleaning clothNote locator chart ? shows you which holes to draw (blow over) to hit the desired notesThis Tiny Tutor instrument pack is perfect for kids - a great novelty gift and stocking filler!

SEK 53.00
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In Whom All Things from Two Pickthall Songs

In Whom All Things from Two Pickthall Songs

The second piece of "Two Pickthall Songs' suggests that whatever is in our hearts may remain there so that we are never truly parted. The music has three main sections which correspond to the three main images of the poem: “Love, in whom all things are-” “Love, in whom all things nest-” and “Love, in whom all things hide.” The main melodic idea is sustained while the harmonies meander. This is to represent the notion that events in life can be unexpected- things change, and we must forge a new path. The opening line of the text, “Love, in whom all things are,” is repeated to act as a “cleansing” phrase to end the piece, and to return us to the idea that we can find love andcompassion in everything. All we have to do is to look. Duration: 2:30

SEK 65.00
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Glory be to God for dappled things : Pied Beauty

Glory be to God for dappled things : Pied Beauty

This setting of Gerard Manley Hopkins’s poem Pied Beauty was commissioned by the Rev Jim Bates, Vicar of Kingston, for the service in Kingston Parish Church celebrating the Golden Jubilee of Queen Elizabeth II. The firstperformance was given by the combined choirs of the Kingston Parish Church and Twickenham Choral Society on the 2nd June 2002. A good proportion of the text is reflective or descriptive – it winds through a number ofexamples of dappled things with suitably celebratory music: ‘skies of couple-colour’, ‘rose-moles all in stipple upon trout that swim’, ‘fresh-firecoal chestnut-falls’ and so on winding down toacentrally peaceful section in which Hopkins writes of ‘all things counter, original, spare, strange’ before returning to the celebratory mood. This grand anthem would be suitable for intermediate to advanced choirs toperform, particularly at festival services and important church occasions.

SEK 91.00
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