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Georges Brassens: La Guerre 14-18 - A Cappella Choral (Arr. Passaquet)

Georges Brassens: La Guerre 14-18 - A Cappella Choral (Arr. Passaquet)

The singer-songwriter and poet Georges Brassens ' emotional song La Guerre 14-18 , arranged for four-part chorus by Passaquet . Often only accompanying himself on acoustic Guitar, George Brassens  was a poet whose works convey extraordinary beauty with their black humour and their political statements. La Guerre 14-18 is one of his most famous pieces, and this arrangement breathes new life into a topic that is always relevant and pertinent. 

SEK 70.00
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Pro Vocal Mixed Edition Volume 12: Frozen

Pro Vocal Mixed Edition Volume 12: Frozen

Whether you're a karoake singer or preparing for an audition, Pro Vocal Mixed Edition Volume 12: Frozen is for you. Pro Vocal Mixed Edition Volume 12: Frozen contains the lyrics, melody & chord symbols and online audio tracks which include demos for listening and separate backing tracks so you can sing along. Perfect for home rehearsal, parties, auditions, corporate events and gigs without a backup band. This songbook includes sheet music for 7 songs from the wildly popular Disney animated film, Frozen, such as Do You Want to Build a Snowman?, For the First Time in Forever, Let It Go, Reindeer(s) Are Better Than People and more.

SEK 62.00
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Missa pro defunctis (Requiem)

Missa pro defunctis (Requiem)

The best-known setting of the Requiem Mass before Mozart’s unfinished work is by the celebrated opera composer Niccolò Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli’s time as Kapellmeister at the court of the Württemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in thesolo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli’s composition, the Appendix contains settings by another composer from his circle, Nicola Sala. • The best-known setting of the Requiem Mass before Mozart • First critical edition • Effective choral movements with numerous suspended dissonances and solo/tutti alternation • Scored for small instrumental forces of strings and organ

SEK 75.00
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