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Peter Bruun: World-Mothering Air (Parts)

Parts for World-Mothering Air for Woodwind Quintet by Peter Bruun (2015).

Air

Written with a Grainger-like sensibility and an Irish charm, Billy Joel's emergence as a serious composer includes this beautiful air. The lyric opening, featuring optional piano and solo for English Horn (or Alto Sax), leads toan invigorating dance-like movement with creative rhythmic and harmonic devices. Challenging for each section, yet certainly attainable and well worth the effort.

Celtic Air and Dance No. 2

Written in a style similar to Michael's popular Celtic Air and Dance, here is another terrific setting of Celtic tunes arranged for very young bands. This arrangement opens with a beautiful and flowing version of thefamiliar air Danny Boy. The setting concludes with the lively Star of the County Down featuring the percussion section and a dance-like melody. Dur: 2:50

Christmas Air and Dance

Taking a similar approach to his popular Celtic Air and Dance, Michael Sweeney creatively combines two 17th-century carols (Bring a Torch, Jeanette, Isabella and Fum, Fum, Fum) into this attractive and distinctive setting for the holidays.

Crazy Music in the Air

This composition in two parts is one of the first successful works Jacob de Haan published for brass band. Somewhat under the influence of Ted Huggen’s Choral and Rock Out which was an overwhelming success at the time, the still very young Jacob de Haan wrote this composition. The first part (Air) exists of a choral melody with baroque grace notes, supported by a pop rhythm in the drums. The second part (Crazy Music) is a swinging bossa nova, in which various instrument groups present themselves in the continuously varying themes. The famous Black Dycke Mills Band contributed to the success of Crazy Music in the Air by regularly putting the piece on its tour programmes.

Celtic Air and March : Songs of Irish Rebellion

Following his popular Celtic Air and Dance, here’s Michael Sweeney’s latest tuneful arrangement of two Irish melodies with a historical dimension: Foggy Dew, written shortly after the Easter Rising of 1916 and The Minstrel Boyfrom the Irish Rebellion of 1798.

Celtic Air and Dance No. 5

Continuing the popular format of previous Celtic Air and Dance settings, this work for second year players opens with the tender Irish ballad Ned of the Hill. The dance segment combines two popular Irish polkas with the melodies skillfully traded between various sections of the band. Perfect for teaching both legato and detached styles, and also keeping the percussion engaged.

Celtic Air and Dance No. 3

Continuing with Michael's popular series of “Celtic Air and Dance” arrangements, the third installment opens with “Red is the Rose” (or “Loch Lomond”) in a flowing ballad treatment. The lively“Bill Sullivan's Polka” follows and features various sections of the band. The flutes start things off followed by the rest of the woodwinds, trumpets, percussion, low brass and finally the entire ensemble in anenergetic finish. Dur: 3:10

Jean-Philippe Rameau: Symphonies et Danses (Quintet-Wind)

1.Air Polonais; 2.Ritournelle; 3.Air vif; 4.Adoration du Soleil; 5.Menuet; 6.Chaconne

Air Time

Air Pathétique

Air Time

Air & Tune

Londonderry Air

George Frideric Handel: Ode For Saint Cecilia's Day (Full Score)

Full score for ST or SAT soloists, SATB chorus and Orchestra. Ouverture Recitative - From harmony, from heav'nly harmony Chorus - From harmony, from heav'nly harmony Air (Soprano) - What passion cannot music raise and quell? Air (Tenor) and Chorus - The trumpet's loud clangour La Marche Air (Soprano) - The soft complaining flute Air (Alto) - The soft complaining flute Air (Tenor or Soprano 2) - Sharp violins proclaim Air (Soprano) - But oh! what art can teach? Air (Soprano) - Orpheus could lead the savage race Recitative (Soprano) - But bright Cecilia rais'd the wonder high'r Soprano and Chorus - As from the pow'r of sacred lays Instrumentation Flute 2 Oboes 2 Bassoon 2 Trumpets Timpani Strings Continuo (Harpsichord, Organ, and optional Lute) Includes performance instruction and extensive preface by the editor, Donald Burrows.

Niels Rosing-Schow: Dans og Tegn i Luft / Dance And Signs In The Air (Score)

Dans og Tegn i Luft for Ensemble was composed by Niels Rosing-Schow in 2015-16. Scored for Flute, Clarinet, Bassoon, Harp, Piano, Violin, Viola, and Violoncello. Commissioned by The Danish Chamber Players for their 25-year Anniversary. Programme Note: A scenario from a park in Shanghai: a group of people dances to the crackling music from a ghetto blaster. Next to then a man is drawing Chinese characters on the street with a large brush, dipped in water. The sound of the music comes and goes, while the calligraphy soon evaporates in the warm air. Time hardly passes and makes itself present in an almost palpable way. The noise from the surrounding city threatens every now and then to destroy the poetic moment. At the appearance of a couple of guards the scene dissolves as from a magic touch as if nothing had happened. - Was this real at all?The music tries to reconstruct the memory of this imagery by putting together sound fragments of the scenario. But will the futile image appear? Or is it just the slight touch of melancholy from the memory, which is left until it dissolves as signs in the air. Niels Rosing-Schow, April 2016

Walking on Air

Royal Air Force

Air Force One

Jeanine Rueff: Concert en Quatuor (Saxophones 4)

1.Entrée; 2.Fugue; 3.Menuet; 4.Passe-pied; 5.Air-Final

Celtic Air and Dance

Michael's popular setting of tuneful Irish melodies is available here in an easy flexible format using just 4 parts plus percussion. Ideal for small group settings.

Air and Simple Gifts

One of America's most historic moments was accompanied by this very unique work, composed especially for the occasion and performed by a quartet of America's finest artists – Yo-Yo Ma (cello), Itzhak Perlman (violin),Anthony McGill (clarinet), and Gabriela Montero (piano). This authentic version of Maestro Williams' monumental work is a stunning display of emotion, musical power and grace.

Celtic Air and Dance

Drawing on the rich and varied tradition of Celtic folk songs, this piece opens with the touching and melodious “The Parting Glass.” The flutes and percussion take center stage on the dance-like “Tha Mi Sgith (AFairy's Love Song)”, then finally the entire band gets into the act for the rousing finish. Dur: 3:05 (Includes full performance CD)

Bardic Air and Reel