Awardvindende Google Marketing Powerhouse

Wilhelm Stenhammer: Quartett IV A-Moll Op. 25 (Parts)

Quartett IV A-Moll Op. 25 - String Quartet No. 4 by Wilhelm Stenhammar was dedicated Jean Sibelius.

Jazz Combo Pak #25 (With MC)

The Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The flexible instrumentation provides many options for covering theparts; the arrangements are absolutely top notch; and at $45.00 for four standards you will never find a better value.Instrumentation:- Line 1 (lead or harmony): Alto Sax, Trumpet, Soprano Sax, Clarinet, Flute,Vibes- Line 2 (lead or harmony): Alto Sax, Bari Sax, Trumpet, Soprano Sax, Clarinet, Trombone- Line 3: Bari Sax, Tenor Sax, Trumpet, TrombonePak #25 includes: Call Me Irresponsible, StolenMoments, I Remember You, Song For My Father.

Purcell Society Volume 25 - Secular Songs For Solo Voice

Purcell Society Volume 25.This volume contains all Purcell's secular solo songs which have no known association with the theatre. It also includes those songs which, though mainly for solo voice, end with a short duet section. The first edition of this volume was prepared for the Purcell Society by Arthur Somervell, published in 1928. This new edition is not just a revision, but the outcome of a fresh examination of the sources. A new editorial continuo part, more suited to the harpsichord has also been provided.

Pop & Rock Legends: Chicago : Make Me Smile - Does Anybody Really Know What Time It Is? - Saturday In The Park - 25 Or 6 To 4

Pioneers of the horn band phenomenon of the late 60's and early 70's, the group Chicago generated an impressive line-up of hits. This energetic medley includes Make Me Smile, Does Anybody Really Know What Time It Is?, Saturday In The Park, and 25 Or 6 To 4.

Piano Concerto No.25 In C K.503

Piano Concerto No.25 in C major K.503.Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings.The New Mozart Edition offers researchers a musicologically unimpeachabletext based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international musicworld “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well asmusicianstake all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter, “Urtext” is more than just a label it is also a pledgeand a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentions as the surviving sources willallow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Quintett op. 25

Harfenkonzert op. 25

Solo part only to the concerto. Harp/Piano available: 48003081.

Missa Brevis - 25 Chorpartituren

Cheryl Frances-Hoad: Piano Concerto

Cheryl Frances-Hoad's Piano Concerto for Piano and Orchestra. Composed in 2009. Duration: 25 minutes

Easy Jazz Ensemble Pak 25

Includes: I Got You (I Feel Good), A Foggy Day, When I Fall In Love, The Fool On The Hill, Just The Way You Are, Do Nothin' Till You Hear From Me.

Easy Jazz Ensemble Pak 25

Includes: I Got You (I Feel Good), A Foggy Day, When I Fall In Love, The Fool On The Hill, Just The Way You Are, Do Nothin' Till You Hear From Me.

25 Or 6 To 4

Here's the early classic by the rock group Chicago. The trademark bass line and driving melody will make this a sure hit with your students.

25 or 6 to 4

Here's the popular hard-driving rock anthem from Chicago's early years. This arrangement is designed for younger bands but is still a powerhouse!

Trio Nr. 3 Op. 25

25 or 6 to 4

From the early years of the group Chicago, this is probably their most driving and energetic rock hit. A solid chart for young bands.

Kinderweihnacht : Set mit 25 Chorstimmen

25 or 6 to 4

One of the early hits from the rock band Chicago, this hard-hitting tune is always exciting to play! Powerfully scored here in the 6-horn format by Mike Tomaro.

25 or 6 to 4

Recorded by the group Chicago, this signature hit has gone on to become a rock classic. Paul's easy arrangement is playable with very limited rehearsal time, but still has an authentic and hard-driving feel. Includes optionalsolos (or soli) for any sax and any brass instrument.

Gustav Holst: Dream City (Study Score)

Gustav Holst's  Dream City  presented in a study score format and arranged for Orchestra. Approximate duration: 25 minutes

Theme : March No. 1

Score and parts for Elgar's March Theme from Pomp and Circumstance arranged by Charles Woodhouse. Hawkes School Series 25.

Bibliographie des Musikschrifttums Band 25: 1979

Songs op. 25, Nr. 1-6

Tolomeo, Re Di Egitto HWV 25

Tolomeo was Handel’s last opera for the Royal Academy of Music in London. Composed between March and 19 April 1728, it was premiered on 30 April. Handel revived the opera several timesfurther: in 1730 in an extensive revision, with seven performances, and in 1733 with four performances.The historical background is the dispute between Cleopatra III and her younger son Ptolemaio X Alexander I ( Tolomeo ).In 110 BC Cleopatra drove Tolomeo out of Egypt. She died, irreconciled to him, in 101 BC.The new vocal score is based on the “Halle Handel Edition”. The main part contains the version from the premiere. Theextensiveappendix also enables later versions to be performed.Based on the Urtext of the Halle Handel Edition.Thoroughly revised, practical performing vocal score.Italian text, with German singingtranslation.Detailed foreword in two languages (German/English).Also available: full score, and performance material to hire.

Amadeus Soundtrack Highlights

A medley including excerpts from: Piano Concerto No. 22; Piano Concerto No. 20; Confutatis (from Requiem, K. 626); Symphony No. 25).