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Debbie Wiseman: Different Voices

Different Voices received its first performance on 9 April 2007 given by the Royal Philharmonic Orchestra conducted by Debbie Wiseman, soprano soloist: HayleyWestenra and narration of the story by Stephen Fry, at Cadogan Hall, London.

Different Voices : A Suite in three Movements

Each movement of this composition instrumentally reflects several of the different manners in which the human voice produces sound and becomes a vehicle of communication. The first movement portrays a dialogue between several groups represented by different sections of the band. The second movement begins quietly, swells to a climactic level, then concludes with the peacefulness of the beginning. The final movement is a joyous celebration of the human voice's ability to sing. Very pleasing to play and equally interesting to listen to - an uplifting selection for any concert program.

I'm Just a Lucky So and So

The trombones get first crack at the melody in this great Ellington shuffle tune before the entire band joins in. Written in a medium tempo and featuring nicely scored ensemble writing, solos are included for tenor sax and trumpet. This one just feels right!

Different Trains

Just Great Songs: The Collection

This collection of Just Great Songs features a massive 72 classic pop and rock songs from over the years that are essential parts of any musician's repertoire. Arranged for Piano, Vocal and Guitar, you'll be singing and strumming all of these brilliant songs with ease. The 72 tunes included here are guaranteed to get your vocal cords warmed up and your fingers itching to play with their simple melodies, fun strumming and relatable lyrics. Songs like Razorlight's America, When You Were Young by The Killers and The Bucket by Kings Of Leon will take you back to that awesome period when Guitar-based rock was reinvigorated at the turn of the millennium, while Wonderwall, Yellow  and Primal Scream's Country Girl  will make you yearn for the exciting britpop era again. If, on the other hand, you have more of a predilection for pop, then you'll be excellently served as well, with Lily Allen's Smile , Corinne Bailey Rae's Put Your Records On  and KT Tunstall's Suddenly I See. Similarly, if you prefer the older classics, you'll be able to learn Jeff Buckley's Hallelujah, The Clash's Should I Stay Or Should I Go and Walk On The Wild Side by the immortal Lou Reed. Whatever genre you're into, or whether you love the new tunes or the old songs, it doesn't matter as all of these are Just Great Songs . All arranged for Piano, Vocal and Guitar with standard notation, Guitar chord boxes and symbols with full lyrics, you'll never be stuck for something to learn or play. Featuring 72 of the biggest and best songs from the pop and rock genres, taken from recent years as well as some classic selections for good measure, this sheet music songbook is a collection that'll be well worthy of your music stand. The songs in this book aren't contentious and there isn't any filler, they're  Just Great Songs.

Hugo Alfvén: Swedish Rhapsody No.1 'Midsommarvaka' Op. 19 (Full Score)

Full Score edition of Hugo Alfvén's Midsommarvaka from Opus 19.

Hugo Telling: Fisk I Nettet (Score And Parts)

Fisk I Nettet for Voice and Salon Orchestra was composed by Hugo Telling . Text by Peter Spar.Piano conductor and parts.

Something Entirely Different

Different Drummers : Jazz in the Culture of Nazi Germany

When the African-American dancer Josephine Baker visited Berlin in 1925, she found it dazzling. "The city had a jewel-like sparkle," she said, "the vast cafés reminded me of ocean liners powered by the rhythms of their orchestras. There was musiceverywhere." Eager to look ahead after the crushing defeat of World War I, Weimar Germany embraced the modernism that swept through Europe and was crazy over jazz. But with the rise of National Socialism came censorship and proscription: an art formborn on foreign soil and presided over by Negroes and Jews could have no place in the culture of a "master race."In Different Drummers, Michael Kater—a distinguished historian and himself a jazz musician—explores the underground history of jazz in Hitlers Germany. He offers a frightening and fascinating look at life and popular culture during the Third Reich,showing that for the Nazis, jazz was an especially threatening form of expression. Not only were its creators at the very bottom of the Nazi racial hierarchy, but the very essence of jazz—spontaneity, improvisation, and, above all,individuality—represented a direct challenge to the repetitive, simple, uniform pulse of German march music and indeed everyday life. The fact that many of the most talented European jazz artists were Jewish only made the music more objectionable. In tracing the growth of what would become a bold and eloquent form of social protest, Kater mines a trove of previously untapped archival records and assembles interviews with surviving witnesses as he brings to life a little-known aspect of wartimeGermany. He introduces us to groups such as the Weintraub Syncopators, Germanys best indigenous jazz band; the Harlem Club of Frankfurt, whose male members wore their hair long in defiance of Nazi conventions, and the Hamburg Swings—the most daringradicals of all—who openly challenged the Gestapo with a series of mass dance rallies. More than once these demonstrations turned violent, with the Swings and the Hitler Youth fighting it out in the streets. In the end we come to realize that jazznot only survived persecution, but became a powerful symbol of political disobedience—and even resistance—in wartime Germany. And as we witness the vacillations of the Nazi regime (while they worked toward its ultimate extinction, they used jazz fortheir own propaganda purposes), we see that the myth of Nazi social control was, to a large degree, just that—Hitlers dictatorship never became as pure and effective a form of totalitarianism as we are sometimes led to believe.With its vivid portraits of all the key figures, Different Drummers provides a unique glimpse of a counter-culture virtually unexamined until now. It is a provocative account that reminds us that, even in the face of the most unspeakable oppression,the human spirit endures.

Hugo Telling: Min Ingrid / My Ingrid (Score And Parts)

Min Ingrid / My Ingrid (1946) for Voice and Salon Orchestra by Hugo Telling . Lyrics in Danish and English by Peter Spar.

Just Kidding

This is the powerful opening track from the acclaimed CD “Impulsive!” by the Danish Radio Jazz Orchestra playing the music of Brazilian composer/pianist Eliane Elias as arranged by the legendary Bob Brookmeyer. Thischart simply roars with big band energy and power as the opening full band statement gives way to a relaxed swing shuffle. Featuring brilliant ensemble writing and plenty of solo space for piano this is an arrangement not to bemissed by mature bands.

Girls Just Wanna Have Fun (Arr. Brymer) (ShowTrax CD)

A perfect showcase for any SSA group, this 15-minute medley covers five decades of the great “girl groups” from the era of the beehive into the new millenium. Sections include: I. Girls Just Wanna Have Fun II. 1950s thru the 1960s The Locomotion, Please Mr. Postman, Baby Love, Leader of the Pack III. 1970s thru the 1980s I Am Woman, It's Too Late, Hit Me With Your Best Shot, How Will I Know IV. 1990s thru 2002 Hold On, Make It Happen, Waterfalls, Independent Woman, Get the Party Started. ShowTrax CD and Instrumental Pak with parts for Synthesizer, Tenor Sax, Guitar, Bass and Drums available. Performance time: Approx. 15:00.

Just A Gigolo

Just Add Music

Just Add Music

A Different Voice, A Different Song : Reclaiming Community Through The Natural Voice and World Song

Mood Indigo

Here's a new twist on an old classic! If you're looking for something a little different, Mark's fast samba may be just right for you. Features Trombones off the top, then later a sax soli followed by a hot ensemble shout chorus.

We've Only Just Begun

A classic ballad from the Carpenters works well for string ensemble with this arrangement by Larry Moore. A good, solid teaching piece with contemporary pop style and harmonies.

Just Dance - Marching Band

Lady GaGa is coming into her own as a pop superstar with catchy melodies and great dance beats. Auxiliary groups and dance teams will have a blast with this one!

Something Just Like This

Recorded by a collaboration of pop groups The Chainsmokers & Coldplay, this recent rock hit features a catchy melody, memorable hook and an energetic drive!

I'Ve Just Seen Her

From the 1960's Broadway production All American, this ballad has enjoyed wide popularity among jazz artists and has been recorded countless times. The beautiful melody and marvelous changes are blended perfectly in this feature for alto sax.

Just Before The Dawn

Musique Pour Un Jazz Different Quatuor De

Just the Way You Are

One of Billy Joel's all time biggest hits, beautifully adapted for young jazz ensemble by Roger Holmes. Included is a sax soli based on Phil Wood's famous solo as well as nicely scored ensemble sections.

Erik Morales: Just Playin' Around

This piece was inspired by a photograph of jazz clubs on New York?s 52nd Street in the late 1940s. It has the sound and feel of some of the great standards of that era, and incorporates elements of the classic big band style with bebop. Tenor sax has a written solo and changes. Along with the performance applications, there are plenty of teaching opportunities in this one. (2:15)