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Nostalgia in Times Square : Young Edition

Originally written for the 1959 John Cassavetes film Shadows, Nostalgia in Times Square is a medium tempo blues but with a unique harmonic structure. Beautifully scored for younger ensembles by Sy Johnson, this chart includes aflexible solo section for any combination of alto, tenor, trumpet or trombone.

Madison Square

Nostalgia in Times Square

This medium tempo swing chart is the lead-off cut from the CD Mingus Big Band 93. Featured is a distinctive melody, a stop-time solo section, and a great swing groove throughout.

Philip Wilby: The Wings Of Morning (Score)

Work for 2 Oboes, 2 Horns and Strings. Premiered by the Orchestra of St John's Smith Square, May 1988.

A Nightingale Sang in Berkeley Square

One of the prettiest ballads ever written. Roger's carefully crafted arrangement for younger groups is lushly scored for the full ensemble.

Per Nørgård: Square And Round (Parts)

Set of parts for two Dances for Percussion Sextet by Per Nørgård. Score available: KP00010.

A Nightingale Sang in Berkeley Square

Per Nørgård: Square And Round (Score)

Full score for these two fantastic dances for Percussion Sextet by Per Nørgård. Set of parts available (KP00852).

A Nightingale Sang In Berkeley Square

A Nightingale sang in the Berkeley Square

Professional Editions - Grade 5 In honor of our departed friend, here is a classic arrangement Frank wrote in 1994. It was commissioned by the USAF Airmen of Note and features bass trombone and flugel. Beautiful melodies and tender moments - just like Tooth.

George Nicholson: The Convergence of the Twain

For Orchestra (double winds).Published in 1978.First performed by the London Sinfonietta, conducted by Dominic Muldowney, St. John's, Smith Square, 2nd April 1981.Score.

Per Nørgård: Zigzag (Parts)

Programme Note Zigzag ? percussion sextet (1981)ZIGZAG (1981, earlier entitled just SEXTET) is the second of my three percussion sextets (the other being RONDO (1964) and SQUARE AND ROUND (TWO DANCES) (1986)). ZIGZAG derives its characteristic rhythmic impulse from the establishing of simple metres (for instance four-bar patterns) that are abruptly cut off before completion, only to start over again immediately. This creates a sort of "cubistic" rhythmic effect, present also in my ISTERNIA (1979) for marimba solo and SONORA (1981) for flute and harp.Several percussion ensembles have performed SQUARE AND ROUND together with ZIGZAG, the latter played attacca as a third movement. I find the result of this combination convincing and satisfactory and I recommend it in performance ? with the title?Square, Round and Zigzag ? 3 pieces for percussion sextet? (1981/86).However, SQUARE AND ROUND as well as ZIGZAG may still be played separately.Per Nørgård

Tristan Keuris: Music For Saxophones (Score)

This work is scored for Saxophone Quartet. It was commissioned by the Rascher Saxophone Quartet and premiered at St. John's Smith Square in 1987. Parts available: NOV360113

Tristan Keuris: Music For Saxophones (Parts)

This work is scored for Saxophone Quartet. It was commissioned by the Rascher Saxophone Quartet and premiered at St. John's Smith Square in 1987. Score available: NOV360112

Stomp Your Foot : Choral Square Dance from The Tender Land

Duration: ca. 3 minutes

Poser, F Square Dance Samba (Hanmer) Orch Pf Sc/Pts

Elisabeth Lutyens: Rapprochement Op.144

For Horn, Harp and Ensemble (Solo Horn, Solo Harp, Flute/Alto Flute, Oboe, Clarinet/Bass Clarinet, Piano, Celeste, 2 Percussion, Violin, Viola, Cello). Published 1980. First performance: Anthony Halstead, Frances Kelley, Lontano, conducted by Lionel Friend, New Macnaghten Concert, St John's, Smith Square, 3rd November 1981.

David Shaffer: Ho Ho Hoedown

Jingle Bells with a country western flare? You bet! This creative work is very well written and provides a section where your trumpet players will actually call the square dance! A worthy consideration for your holiday concert with the quality writing you've come to expect from David Shaffer.

Legends of the West

The musical heritage of America owes a great deal to the folk music of the West. From the square dances to the mining songs, our culture has benefited immensely. This suite of pieces attempts to capture that feeling of those earlydays, both in spirit and in melody. (5:40)

Stomp It!

Clap and stomp your way through this lively tune, written in a fun fiddling style. This first-position piece for developing strings moves between minor and major tonalities while also exploring arco and pizzicato technique.Certain to be a hit as the melody passes between sections with all the vigor of a square dance! (1:45)

The Florence Fayre : from Erasmus Tales

Florence, Italy, was a model of Renaissance culture because of its economy and its writers, painters, architects and philosophers. This descriptive new work paints a picture of a street fair in Florence. You can almost feel the atmosphere andvisualize the bustle of activity taking place in the grand Renaissance square. Bring the past back to life with this attractive and entertaining composition.

David Shaffer: Ho Ho Hoedown

Jingle Bells with a western flair? You bet! The parallel fourths in the first measure immediately signal the beginning of this holiday hoedown. An inventive middle section gives a select group of students (or the entire orchestra!) the opportunity to call the square dance. Exciting and entertaining on every level, it?s time to Swing ol? Santa ?round and ?round!

Don't cry for me Argentina

Don’t Cry for me Argentina is the best-known song from the 1976 musical Evita. It was sung by Eva Peron when she was addressing the crowds amassed in the square below her balcony. More recently it was a hit for Madonna, who sang it in the 1996 film version of Evita. This arrangement retains the broad emotive melody of the original together with its intense emotion.

Don't Cry For Me Argentina

Don’t Cry for me Argentina is the best-known song from the 1976 musical Evita. It was sung by Eva Peron when she was addressing the crowds amassed in the square below her balcony. More recently it was a hit for Madonna, who sang it in the 1996 film version of Evita. This arrangement for brass band retains the broad emotive melody of the original together with its intense emotion.

Don't cry for me Argentina

Don’t Cry for me Argentina is the best-known song from the 1976 musical Evita. It was sung by Eva Peron when she was addressing the crowds amassed in the square below her balcony. More recently it was a hit for Madonna, who sang it in the 1996 film version of Evita. This arrangement for concert band retains the broad emotive melody of the original together with its intense emotion.