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Meter as Rhythm: 20th Anniversary Edition

A seminal work in music theory for over two decades, Christopher Hasty's Meter as Rhythm is foundational to new subfields in ethnomusicology and music cognition, and recently being investigated in non-music fields from literary studies and poetics to physics and biology. This Twentieth Anniversary Edition makes the work readily available across this wide spectrum of scholarship.

From the Highest Peak

Written as a celebratory piece, From The Highest Peak is a rousing overture that explodes with energy and is a tribute to the pursuit of excellence and the triumph of the human spirit. With powerful fanfares, triumphant melodies, driving percussion and dynamic contrasts, this exciting concert opener moves through different musical colors without ever losing its relentless drive. Dur: 3:15

Slow Movement from Golden Peak

Golden Peak is a concert piece that takes us deep into the world of volcanoes of the Auvergne in central France. They are dormant volcanoes whose origins date back from 7,000 to over 65 million years ago. Among the most well-known are the 80 volcanoes of the Chaîne des Puys, a spectacular natural environment ranking among the most fascinating landscapes in the world. The title of this dynamic and rhythmic piece is a reference to the local spa town of Mont-Dore and calls upon all sections of the orchestra. The composer made a beautiful instrumentation of the very mellow yet riveting central theme of this composition for woodwind ensemble with optional percussion

Shimmer and Flow

Go With the Flow

Sunleif Rasmussen: Flow (Score)

FLOWThe placement of the musicians.The recorder player is placed in the middle of the stage in all three movements.The cello is placed behind the audience in all three movements.In 1st and 3rd movement the violin is placed on the recorders right side and theviola on the recorders left. At the and of the 1st movement the violin and the violaare walking slowly in respective sides in the middle of the hall, and stay there during2nd movement. Before the 3rd movement they walk back to their position in the 1stmovement.SR

Wild Flow : for Orchestra

Sunleif Rasmussen: Flow (Parts)

FLOWThe placement of the musicians.The recorder player is placed in the middle of the stage in all three movements.The cello is placed behind the audience in all three movements.In 1st and 3rd movement the violin is placed on the recorders right side and theviola on the recorders left. At the and of the 1st movement the violin and the violaare walking slowly in respective sides in the middle of the hall, and stay there during2nd movement. Before the 3rd movement they walk back to their position in the 1stmovement.SR

Apache Peak

Laminar Flow : for piano/percussions quartet

The Relentless Warrior

This exciting work was conceived as a musical portrait from the viewpoint of a lone ancient warrior, determined and focused on achieving victory in battle. Providing a foundation throughout is a relentless rhythmic pulse and driving ostinato. The meter of 7/8 provides a dramatic sense of urgency as various textures and moods are developed similar to the ebb and flow of battle. The piece concludes with a victorious major chord with the rhythmic ostinato driving to the very end.

Flow The Rhythmic Voice in Rap Music : Hardback

Jabba Flow (from Star Wars: The Force Awakens)

This years most talked about film features this clever song in the Cantina scene - an infectious, Reggae-styled tune, co-written by the films director, J.J. Abrams, and creator and star of Hamilton, Lin-Manuel Miranda.

The Red Balloon

In a moderate tempo, this learning piece is perfect for introducing common rhythms in 3/4 meter.

Songs In Motion Rhythm and Meter In German Lied

Carnival of Venice

Master Level (correlates with Book 2, p. 43) The memorable Italian folk tune, ideal for teaching 6/8 meter. Master Level Dur: 2:15

I Get Around

The Beach Boys were at their peak with a unique and appealing brand of uptempo, feel-good '60s rock. Here's a solid chart that brings back that wonderful nostalgia.

Minimally Speaking - Part 3 (Echoes)

Using a single tempo and meter throughout, this impressive closer features a driving rhythmic ostinato punctuated with brilliant brass lines and block chordal statements. Creative sounding and very powerful!

Let's Face the Music and Dance

In the skilled hands of arranger Michael Mossman, this Irving Berlin classic feels completely at home as a mambo! With some harmonic wrinkles and a terrific mix of scoring styles, this chart has a great flow and pacing. Solo spaceis included for alto sax.

Beautiful from King Kong

Delicate mallet colors and gorgeous harmonic textures combine with lyric solos by trumpet and horn in this masterful setting. The full ensemble builds to a rich and emotional peak, then tapers to a quiet ending.

Scherzo (from Symphony No. 9)

With one of Beethoven's most recognizable motifs, the Scherzo from Symphony No. 9 is symphonic classical literature at its very best. Treat your students to this energetic, rhythmic master work in triple meter.

You Really Got Me

This huge '60s rock hit from The Kinks has truly stood the test of time. From the hard-driving opening riff to the emphatic final chords, this chart is way up on the energy meter.

Do-Re-Mi (From The Sound of Music)

Artist Level (correlates with Book 1, p. 34) From the beloved musical and film The Sound of Music, here is a lighthearted and fun arrangement that teaches 2/4 meter. Sure to be enjoyed by all.

Galliard

This iconic dance form employs 3/4 meter and the Mixolydian mode. The bold ensemble statements are juxtaposed against more lightly scored sections that bring the atmosphere of a lively Renaissance dance to your intermediate band!

The North Face

Painting a musical portrait of a great mountain peak and its many moods and vistas, Jay Bocook has skillfully adapted his popular work for full band for the flex-band format. Lots of variety and a film-scoring flavor.