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Christian Lauba: Study No. 11, "Stan", for Baritone Saxophone and Prerecorded Synthesizer or Piano

Christian Lauba: Study No. 11, "Stan", for Baritone Saxophone and Prerecorded Synthesizer or Piano

Born in Tunisia in 1952, Christian Lauba has been a prominent contemporary composer, winning many prizes since his graduation from the Conservatory of Bordeaux during the mid-1980s. Lauba is particularly noted for his compositions for the Saxophone, such as Study No. 11 for Baritone Saxophone and Prerecorded Synthesizer and Piano. Premiered in 2002, Study No. 11, "Stan" was commissioned by Pierre Choffé for the Bordeaux Opera. The work is highly virtuosic and modern, including multiphonic Saxophone sounds and other advanced technical features. The score of Study No. 11 also comes accompanied with a CD of the Prerecorded Synthesizer part. With a typical performance lasting around eight minutes, this Lauba study, nicknamed "Stan" is described as a 'study in virtuosity for well-tempered and well-quantized instruments'. For all advanced Baritone saxophonists, Study No. 11 provides an alternative, modern work, essential to a varied repertoire.

SEK 583.00
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Henry Cowell: Symphony No.11 (Seven Rituals Of Music)- Score

Henry Cowell: Symphony No.11 (Seven Rituals Of Music)- Score

Henry Cowell's Seven Rituals Of Man uses music to explore the journey of Man from Birth to Death similar to the All the world?s a stage monologue from Shakespeare?s As You Like It. Symphony No.11 reflects the work and struggle, love, dance and play mystical imagination and lament for death, all the stages of a man's life. The seven rituals are all very different and alternate between relatively conventional scoring for strings and winds and some really unusual writing for full orchestra with extensive percussion.

SEK 533.00
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Ludwig van Beethoven: Clarinet Trios B flat major op. 11 and E flat major op. 38 for Piano, Clarinet (or Violin) and Violoncello

Ludwig van Beethoven: Clarinet Trios B flat major op. 11 and E flat major op. 38 for Piano, Clarinet (or Violin) and Violoncello

Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802/03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl’s opera L’amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout. The op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided as also in the case of op. 11 an alternativeviolin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which just as back then- makes it doubly valuable.

SEK 520.00
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Freie Bearbeitungen 11

Freie Bearbeitungen 11

Volume 23, the penultimate volume in Series II of the complete edition contains free arrangements by Liszt dating from between 1859 and 1861. The best-known among these are the three Verdi opera fantasias: the Miserere du Trovatore, Ernani and Rigoletto, together with the two Wagner transcriptions: the Spinnerlied aus Der fliegende Holländer and the Fantasiestück über Motive aus Rienzi. The volume also contains two transcriptions each from Berlioz and Lassen, and one each from Bach, Meyerbeer and Dietsch. An interesting addition is the early version included in the appendix, which represents an important basis for study of the genesis of Ernani.Territorial restrictionsmay apply. Please ask before ordering.

SEK 558.00
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