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OFFENBACH BELLE LURETTE CHANT ET PIANO

OFFENBACH BELLE LURETTE CHANT ET PIANO

Highlights from Beauty and the Beast : Prologue - Belle - Gaston - Be Our Guest - Beauty and the Beast - Transformation

Disneys landmark animated musical was released in 1991 and then beautifully adapted for the Broadway stage in 1994. The 2017 life-action film starring Emma Watson and Dan Stevens helps keep the magic alive and reminds us of the wonderful songscomposed by Alan Menken and Howard Ashman. This symphonic medley includes: Prologue, Belle, Gaston, Be Our Guest, Transformation, and of course Beauty and the Beast.

Rob Grice: Belle Journée

This upbeat overture displays the flutes, oboes, and mallets in bell-like sounds contrasting with tutti brass and woodwinds. An optional trumpet solo is one of many features in the flowing lyrical section before the return of the theme and coda.

Selections from Beauty and the Beast

From Disney's classic 1991 animated film, and now a stunning live-action movie, here is a concise medley for young bands featuring the timeless melodies of Alan Menken and Howard Ashman. Includes: Belle, Be Our Guest, and Beautyand the Beast.

Music from Beauty and the Beast

Featuring the familiar songs from the original 1991 animated classic Beauty and the Beast, and revived for the 2017 live-action blockbuster movie, this concise medley with flexible scoring includes the title song Beauty and the Beast alongwith Belle and Be Our Guest.

Beauty and the Beast (Choral Highlights)

With 2 new songs incorporated from the Disney live-action animated movie, your students can be reaquainted with this beautiful Disney score. Songs include: Belle, How Does a Moment Last Forever, Be Our Guest, Evermore and Beauty and the Beast.

French Musical Life : Local Dynamics in the Century to World War II

French Musical Life is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Epoque.

Fingerpicking Styles 1

Learn how to pick out syncopated melodies while maintaining a steady rhythmic bass pattern. Includes 'John Henry', 'Sugar Babe', 'Spike Driver's Blues', 'My Creole Belle' and 'Railroad Bill'.

Belle of the Ball : for Band

Carmen and the Staging of Spain : Recasting Bizet's Opera in the Belle Epoque (Hardback)

Esprit Joseph Antoine Blanchard: Chansons du Limousin Vol.1: Pastorales (med) (Voice & Piano)

La Belle Meunière; Bonjour Bergerette; La Bergère et le Chasseur; Pastoureleta; Le Seigneur et la Bergère; Y a-t-une Bergère dans ces Bois; Passant dans la Prairie

Voice Lessons French Melodie in the Belle Epoque

La belle Hélène - Die schöne Helena - Offenbach, Jacques

Opera buffa in 3 acts Kritische Neuausgabe vocal score 5SSolo/5TSolo/2MezSolo/BarSolo/BSolo/2speaker/mixed choir:SSTTBB/Fl1/Fl2(Fl-picc)/Ob/2clarinet/2Hn/2Kor/trombone/timpani/Schlgw(Tr-Gr/Be/baskische Trommel/Tri)/2V/Va/Vc/double bass Paperback

André Messager: Perles Cachées

A selection of arias, scenes and some duets from more than a dozen operettas and opéras-lyriques of André Messager (1853-1929), composer, conductor, theatre manager and boulevardier. Perfectly crafted, wonderfully conceived for the soprano voice, vivid, colourful, often light hearted or exotic settings evoking Paris of the belle-époque.

Esprit Joseph Antoine Blanchard: 7 Chansons populaires françaises (med) (Voice & Piano)

Barbe de Buse; Martin de Cambrai; Quand les Moutons sont dans la Plaine; La Belle est au Jardin d'Amour; La Servante à Nicolas; Là-haut, là-bas, dedans ces Bois; Lou Farandoulaire

Puss in Boots : A Tale for Narrator and Concert Band from Charles Perrault

The tale Puss in Boots (Le chat botté), written by Charles Perrault (1628-1703), was published in France by Claude Barbin in 1696. Since that time Puss in Boots has become a popular character and has appeared in movies, animation and comics. The story was part of a collection titled Contes de ma mère l’oye (Tales of Mother Goose), which included a total of 11 tales, 8 in prose and 3 in verse. The most famous of these are: Sleeping Beauty (La belle au bois dormant), Little Red Riding Hood (Le petit chaperon rouge), Bluebeard (Barbe bleue), Cinderella (Cendrillon), Peau d’Ane and Le petit poucet (Tom Thumb).

La belle Helene - Die schone Helena : Opera buffa in three acts

Happily Ever After - A Disney Celebration for Women's Voices (Medley)

Bring the magic of Disney music to your women's choir in this superb medley for SSA groups. This spectacular selection of top songs will captivate your audience! Includes: Be Our Guest, Belle, Bibbidi-Bobbidi-Boo, Colors of the Wind, Cruella De Vil, A Dream is a Wish Your Heart Makes, Jolly Holiday, Part of Your World, Seize the Day, Supercalifragilisticexpialidocious, Zip-A-Dee-Doo-Dah. Available: SSA, ShowTrax CD. Performance Time: Approx. 11:00.

Gilbert and Sullivan

Masters of the operetta, Gilbert and Sullivan left the musical world a legacy of marvelously playful and tuneful songs. This entertaining medley includes We Sail the Ocean Blue and (I'm Called) Little Buttercup from“HMS Pinafore,” Overture and Three Little Maids from “Mikado,” and Poor Wand'ring One, I Am the Very Model, and With Cat-Like Tread from “Pirates of Penzance.”

Earth and Sky

The Native American Omaha Tribe believed in an inseparable union between earth and sky. Commissioned for the Nebraska All-State 8th Grade Band, Michael Sweeneys Earth and Sky celebrates this ideal with a balance ofwoodwind motifs and delicatetextures (sky) contrasted with an underlying percussion ostinato and feature spots (earth). Rich chordal accompaniments and soaring melodies provide continuity and flow in this dynamic work for band.Dur: 6:15

Above and Beyond

Written as a celebratory piece, Above and Beyond is a stirring overture that explodes with energy and enthusiasm - a tribute to the quest for the extraordinary and the desire to do more than is required. Built around three distinct themes which are organically developed, the work contains powerful and triumphant melodies, driving percussion, dynamic contrasts and a marvelous cantabile. This exhilarating concert opener exemplifies joy and spirit.

Hide and Seek

Britain's singing sensation Imogen Heap has created breathtaking new sounds with her electronically manipulated vocal recordings. Hide and Seek features ethereal moods and rich harmonic textures and adapts wonderfully for band inthis haunting and beautiful transcription from Jay Bocook.

Chorale and Presto

This impressive new composition by Richard Saucedo features a variety of musical styles in a contemporary sounding setting. The “Chorale” is written with lush scoring and emotional peaks and valleys. The driving“Presto” uses mixed meters and a combination of woodwind flourishes and fanfare-like brass figures. The “Chorale” theme is creatively woven into this section as well, and the ending section builds to anexceptionally strong and rhythmic conclusion.

Prelude and Revelation

MusicWorks – Grade 3John Moss displays his depth of musicality and impeccable orchestrational style in this uplifting work composed in two main parts. The opening Prelude uses brief solos and rich sonoritiesto create a sense of anticipation. Revelation is in a faster and determined style and interweaves the percussion section nicely with the full ensemble while developing the main themes. The Prelude then returns for acalm and reflective ending. (5:40)

Toccata and Chorale

Written in a sophisticated and dynamic style, this work from James Curnow is more impressive sounding than the easy grade level would indicate. Opening with a rhythmic and intense toccata, this theme is contrasted with a sustained and lyric chorale section. Both themes are combined at the end for a powerful and rewarding finish.