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FOSS LUKAS GEOD LARGE ORCHESTRA & OPTIONAL CHOIR LARGE FULL SCORE

FOSS LUKAS GEOD LARGE ORCHESTRA & OPTIONAL CHOIR LARGE FULL SCORE

Arranging For Large Jazz Ensemble

Create arrangements with texture and style with this complete guide to arranging for large horn sections. They play-along CD is a powerful tool for learning. Inside, you'll learn: Writing techniques Voicing techniques Soli, background, and shout choruses Special effects Style Analysis of a complete arrangement

Poul Ruders: Kafkapriccio for Large Ensemble (Full Score)

Five Paraphrases on the opera Kafka's Trial.For Large Ensemble:1 Flute dbl Alto Flute in G and Piccolo1 Oboe dbl English Horn in F1 Clarinet in Bb dbl Bass Clarinet in Bb1 Bassoon1 Horn in F1 Trumpet in Bb1 Trombone1 Percussion (one player)Tambourine, Police Whistle, Bass Drum, Castanets, Tubular Bells, Tamtam, Glockenspiel, Triangle, Guiro, Mark Tree, Xylophone, Spoons, Crotales, Snare Drum, Hi-hat, Kick Drum, Siren (hand-cranked), Ratchet, Lion's Roar.1 Piano1 Violin 11 Violin 21 Viola1 Cello1 Double Bass (with extension)

Sinfonia In Memoriam

For large orchestra

Pastorale Op. 107

For large orchestra

Ode : large orchestra

Orchestersuite Aus Der Oper Schlagt Sie Tot!

A work for large orchestra premiered by Copenhagen Phil in February 2019. A work for large orchestra premiered by Copenhagen Phil in February 2019.

HIMMEL : for Large Ensemble

Symphony Bes : Large score

Dis & Co. : Large Set

Barcarola : for large orchestra

Collider : for Large Orchestra

Plötzlichkeit for large orchestra

Symphony No. 9, Op. 160 : for Large Wind Band

Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, “This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band.'' The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that “I have always wanted to write a waltz,” and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an “otherworldly” mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.

Changements - Kelterborn, Rudolf

for large Orchestra Uraufführung 19.09.1973, Montreux study score Orch Hæftet udgave

Arne Nordheim: Magma (Score)

Work for large Orchestra (including 8 Percussionis, Organ, Piano, Harpsichord and Piano).

The Gordon Highlanders Pipe Music Collection Volume I

A large collection of melodies, many previously unpublished. Foreword by Prince Charles.

Z-4383 : for Large Ensemble

Seven Boleros : for large orchestra

Vintage spectra : for large Ensemble

Rasmussen Engführung Sc

For small choir,large choir, solo quartet, soprano solo, piano, cello and chimes.

Chips In A Bag : Large Set

Symphonie Nr. 10 : for large orchestra

Lenny : Symphonic Sketch for Large Orchestra

Speakings : for large orchestra and electronics

Speakings for orchestra and electronics is undoubtably one of Jonathan Harvey’s most important and ambitious works. Composed in 2008, it utilises a unique process of electronic transformation developed at IRCAM to explore the possibility that an orchestra could be made to ‘speak’. Winner of the prestigious Monaco Prize, the 25-minute work belongs to a fascinating clutch of works composed around the time of Harvey’s final opera, Wagner Dream, which contain musical allusions to Wagner, in this case Parsifal. Unfolding over three continuous movements, the music moves from the babbling of a baby and the frenetic chatter of human life in all its expressions, to music of unity, ahymn which is close to Gregorian chant in which, in Harvey’s words ‘the paradise of the sounding temple is imagined’. Typeset, and with input from Gilbert Nouno who collaborated with Harvey on the electronic element, this longawaited new edition makes this stunning piece even more accessible to conductors and enthusiasts. Speakings for orchestra and electronics is undoubtably one of Jonathan Harvey’s most important and ambitious works. Composed in 2008, it utilises a unique process of electronic transformation developed at IRCAM to explore the possibility that an orchestra could be made to ‘speak’. Winner of the prestigious Monaco Prize, the 25-minute work belongs to a fascinating clutch of works composed around the time of Harvey’s final opera, Wagner Dream, which contain musical allusions to Wagner, in this case Parsifal. Unfolding over three continuous movements, the music moves from the babbling of a baby and the frenetic chatter of human life in all its expressions, to music of unity, ahymn which is close to Gregorian chant in which, in Harvey’s words ‘the paradise of the sounding temple is imagined’. Typeset, and with input from Gilbert Nouno who collaborated with Harvey on the electronic element, this longawaited new edition makes this stunning piece even more accessible to conductors and enthusiasts.