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Konzert in F-Dur - Concerto in F major TWV 53:F1 : Violin

Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelmingpresence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann,once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Againandagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for variousensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety ofinstruments.- Urtext of the Telemann Edition

Konzert in F-Dur - Concerto in F major TWV 53:F1 : Viola

Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelmingpresence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann,once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Againandagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for variousensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety ofinstruments.- Urtext of the Telemann Edition

Konzert in F-Dur - Concerto in F major TWV 53:F1 : Basso (Cello)

Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelmingpresence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann,once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Againandagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for variousensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety ofinstruments.- Urtext of the Telemann Edition

Konzert in F-Dur - Concerto in F major TWV 53:F1 : Violin 2 Solo

Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelmingpresence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann,once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Againandagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for variousensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety ofinstruments.- Urtext of the Telemann Edition

Konzert in F-Dur - Concerto in F major TWV 53:F1 : Violin 3 Solo

Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelmingpresence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann,once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Againandagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for variousensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety ofinstruments.- Urtext of the Telemann Edition

Konzert in F-Dur - Concerto in F major TWV 53:F1 : Violin 1 Solo

Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelmingpresence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann,once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Againandagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for variousensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety ofinstruments.- Urtext of the Telemann Edition

Per Nørgård: Cantica Concertante (Score)

Per NørgårdCANTICA CONCERTANTEis based on CANTICA for cello and piano 1977The present orchestral version was edited by Steve Ferrein collaboration with the composer.Orchestra1 Flute db. Piccolo1 Oboe db. Cor Anglais in F1 Clarinets in A1 Bassoon1 Horn in F1 Trumpet in C1 TrombonePercussion (1 player):(Cymb. (susp.), Tamt., Wood Blocks)PianoHarpVioloncello Solo1 Violin 11 Violin 21 Viola1 Violoncello1 Double BassThe score is written in C

Poul Ruders: Kafkapriccio for Large Ensemble (Full Score)

Five Paraphrases on the opera Kafka's Trial.For Large Ensemble:1 Flute dbl Alto Flute in G and Piccolo1 Oboe dbl English Horn in F1 Clarinet in Bb dbl Bass Clarinet in Bb1 Bassoon1 Horn in F1 Trumpet in Bb1 Trombone1 Percussion (one player)Tambourine, Police Whistle, Bass Drum, Castanets, Tubular Bells, Tamtam, Glockenspiel, Triangle, Guiro, Mark Tree, Xylophone, Spoons, Crotales, Snare Drum, Hi-hat, Kick Drum, Siren (hand-cranked), Ratchet, Lion's Roar.1 Piano1 Violin 11 Violin 21 Viola1 Cello1 Double Bass (with extension)

Asbjørn Schaathun: Chorale (s) (Score)

Ensemble1 Cor Anglais in F1 Clarinet in Bb db. Bass Cl. in Bb1 Alto Saxophone in Eb db. Tenor Sax. in Bb1 Trumpet in D1 Guitar1 Percussion (1 player):Glsp. / Xyl. / Chimes (= Tub. Bells) / Marimba / Vibr.PianoThe score is written in transposition

Vachey Cours Enseignt Musical General 1ere Annee Init 50 Dict F1 Book

Pelle Gudmundsen-Holmgreen: Company for 4 Voices and 14 Instruments

For 4 Voices and 14 Instruments.Full Score.Dedicated to Theatre of Voices and The London Sinfonietta.Orchestration1 Soprano1 Alto1 Tenor1 Bass1 Bass Flute1 Bass Clarinet in Bb1 Horn in F1 Trombone1 Contra Bassoon2 Percussion (2 players)1 Guitar1 Harp1 Violin 11 Violin 21 Viola1 Cello1 Double BassThe score is written in C.Traditional octave transpositions as indicated by the clefs.

Ange: Révérences

Au delà du délire - Aujourd?hui c?est la fête chez l?apprenti sorcier - Aurelia - Ballade pour une orgie - Ces gens-là - Exode - Fils de lumière - Godevin Levilain - Hymne à la vie - La bataille du sucre - La gare de Troyes - Là pour personne - Le bae Bil

Per Nørgård: Bach To The Future (Score)

For two Percussion soloists and ten instruments.Commissioned by and dedicated to Safri Duo. A Concerto in three movements based on Preludes by J.S. Bach, for Percussion Duo and Orchestra. Reduced version, 2010, by Steve Ferre, approved by the composer for Percussion Duo (unchanged) and ten instruments (5 woodwind, 5 strings)1 Flute dbl. Piccolo and Alto Flute in G1 Oboe dbl. Cor Anglaid in FY1 Clarinet in Bb dbl. Bass Clarinet in Bb1 Bassoon1 Horn in F1 Violin 11 Violin 21 Viola1 Cello1 Double BassThe score is written in C

Hans Amrahamsen: J.S. Bach: Befiehl Du Deine Wege

A Chorale arranged for 15 Instruments. Full Score for ensemble.Bach's Befichl du deine Wege is a chorale setting (BWV 272), which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments, both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending, the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach chorale inasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second, ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background, and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders.             - Thomas MichelsenArrangement1 Flute1 Oboe1 Clarinet In Bb1 Bassoon1 Horn in F1 Trumpet in Bb1 Trombone (Tenor)1 Vibraphone (Motor Off)1 Harp1 Piano1 Violin I1 Violin II1 Viola1 Cello1 Double Bass

Evis Sammoutis: Emmelia (Performing Score)

'Brice Catherin, a cellist and a composer exploring the notion of the one-man-band concept, commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects), his feet, his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre, both strong, frequent features of my compositional oeuvre. After several meetings and experimentation with Brice, I chose a setup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself, but also helps create unique soundscapes that blend together with the sounds from the spring drums, the human voice (whistling, groans and other effects), a singing bowl, a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony), thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy, harmonious, distorted, etc.), based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C), played and recorded using a variety of attacks and triggering objects and methods. Emmelia is also the name of my baby daughter, who has been my constant inspiration since she was born.' - Evis Sammoutis

Pianolek bok 2, släpp spelglädjen loss och ta pianot till nästa nivå

Bok 2 i Pianolekserien kan användas från 6 års ålder. Boken består av 28 kända visor för barn och vuxna, samt speltips och musikaliska uppgifter. Boken bygger på Pianoleks karakteristiska figurer och den tar fatt där bok 1 slutar.   I Pianolek bok 2 lär du dig att spela med båda händerna samtidigt. Du utvecklas rejält i ditt pianospelande, och du kommer snart att känna dig som en tvättäkta pianist. Det blir riktigt kul! De musikaliska uppgifterna i boken bygger broar mellan figurerna och de svarta noterna – fortfarande under mottot ”Kul, enkelt och lekande lätt”. Beskrivning Visorna i Pianolek bok 2 är: Nivå 1 I ett hus vid skogens slut Klappa händerna Lilla Ludde Mors lilla Olle Var bor du lilla råtta? Kum ba yah Videvisan En kulen natt Oppochnervisan Happy Birthday To You Nivå 2 Alfabetssången ABC Min hatt den har tre kanter Oh When the Saints Den cyklande elefanten Sommarsången (Pippi) Jag är en liten undulat Du käre lille snickerbo Amazing Grace Jag är en liten mört Räven raskar över isen Nivå 3 Huvud, axlar, knä och tå John Svenssons bil My Bonnie Akta dig för krokodilen (See You Later Aligator) Fjäriln vingad syns på Haga Du gamla du fria Mamma Mia Kvalitet och robust material Pianolek lägger vikt vid kvalitet i alla avseenden. Kriteriet för visorna är att de ska vara vackra, roliga och älskade av många barn. Figurerna och illustrationerna skapar glädje och igenkänning. Boken är trådbunden, med hårda pärmar, och visorna är tryckta på kraftigt, glansigt papper. Tangentremsan är tryckt på invercote; ett slitstarkt material som tål att torkas av med en hård och urvriden trasa.