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Peter Gregson: Drone

Peter Gregson's Drone for String Quartet and Juno Synthesiser.

Henry Cowell: Ancient Desert Drone (Arr. James Worman)

Ancient Desert Drone was composed for Orchestra in 1940 at the request of Percy Grainger, who encouraged the idea of using a single pitch drone throughout the work (similar to Grainger's own The Immovable Do ), and to whom the piece is dedicated. While the work suggests an Eastern charm with its distinctive mode and primitive rhythms, Cowell himself stated there was no particular programmatic intent. This transcription for band is an exotic and welcome addition to the repertoire for winds. Dur: 5:00 Recorded by the Trinity University Symphonic Wind Ensemble - James Worman, conductor.

Henry Cowell: Ancient Desert Drone (Arr. James Worman)

Ancient Desert Drone was composed for Orchestra in 1940 at the request of Percy Grainger, who encouraged the idea of using a single pitch drone throughout the work (similar to Grainger's own The Immovable Do ) and to whom the piece is dedicated. While the work suggests an Eastern charm with its distinctive mode and primitive rhythms, Cowell himself stated there was no particular programmatic intent. This transcription for band is an exotic and welcome addition to the repertoire for Winds. Dur: 5:00 Recorded by the Trinity University Symphonic Wind Ensemble - James Worman, conductor. ScorePlay - click to view score with recording.

Nico Muhly: Three Songs (For Tenor, Violin And Drone)

Three Songs was expertly composed by Nico Muhly . There is a two-note drone that sounds throughout this piece?s 15-minute duration. In the first part of the songs, the Tenor and the Violin exchange lyrical and declamatory statements. The second part is a song without words: a sort of dance for solo Violin. The third part has the Violin intoning a pair of notes while the tenor sings, in essence, a list. The work was commissioned by violinist Tatiana Berman on French surrealist poems of her choosing, and was premiered at the Constella Festival in Cincinnati in 2012.

Pastoral Drone

John Tavener: A Christmas Round

Any number of voices may perform the round, plus instruments (Including unpitched percussion) if desired. A drone (on F) could also be used.

Loch Lomond : Discovery Level 1

Enjoy this accessible setting of the well-known Scottish folk song that features contrasts between a more lyrical, lilting section and a sturdy drone accompaniment. With flute.

Loch Lomond : Discovery Level 1

Enjoy this accessible setting of the well-known Scottish folk song that features contrasts between a more lyrical, lilting section and a sturdy drone accompaniment. With flute.

Loch Lomond : Discovery Level 1

Enjoy this accessible setting of the well-known Scottish folk song that features contrasts between a more lyrical, lilting section and a sturdy drone accompaniment. With flute.

Melody Bober: Scotland Sunrise

Light, cheerful piece features a simple melody with an open 5th drone in the left hand. Students will explore left-hand melodies with right-hand chordal accompaniments, cross-hand arpeggios and octave playing.

The Irish Baker

The traditional American folk and bluegrass¡favorite Angelina the Baker is cleverly arranged in an Irish dance style for¡strings. Great fiddle style melodies accompanied by drone harmony make it fun¡to teach and play.

Nico Muhly: Four Studies

Nico Muhly 's Four Studies for two Violins and Drone. ' Four Studies was written for Angela and Jennifer Chun in 2014. Each movement has a drone which lasts for the duration of the movement. The first bar of movements 1 and 4 can be quite long. The drone should remain loosely indifferent to the other part, avoiding any overly-dramatic commentary. That having been said, the droning player should feel free to subtly and constantly change the nature of the sound. Rests are meant to be played freely, expanding and contracting as the spirit moves the soloists, but the notes should be played in relatively even time. The space between the movements can work either with very short pauses or with no pauses at all; this is left up to the discretion of the performers .' - Nico Muhly Duration: approx. 12 minutes.

Oh, Whistle

Lilting tones over the steady drone of the highland pipes will transport you to the highlands of Scotland in this delightful setting that will have everyone whistling along! A charming multicultural addition to your concert! Duration: ca. 3:00.

Brian Balmages: Conquest

Uses only 5 notes!Opening with a drone, the melody begins in unison and then expands with simple harmonies in rhythmic unison. A second section includes pulsating band hits interspersed with brief section features. An easy new work for your first concert.

Nico Muhly: Drones & Viola (Performance Score)

Drones & Viola was written by Nico Muhly for Thomas Bartlett and Nadia Sirotain in 2011. Every movement begins with either the Piano or Viola establishing a drone for the duration of the movement. Over the top of the drones very expressive, delicate beautiful lead lines are heard.

Winter Time

The drone of the bells, the whispers from the choir, the Stevenson text, set the mood for winter. The choir's harmonies dance around the central tonality like a cold wind, always returning respectfully to the earth. A lovely piecefor the fall concert for advanced high school and college treble ensembles. Medium to difficult.

Nico Muhly: Drones & Violin (Performance Score)

Drones & Violin was composed by Nico Muhly for Pekka Kuusisto in 2010.Each movement begins with either the Piano or Violin establishing a drone for the duration of the movement, with either the Piano or Violin producing a delicate, expressive line over the top. Each movement triggers a different sense of emotion throughout.

In the Cross of Christ I Glory

There is a rustic sturdiness in this refreshing arrangement. The well-known tune floats above a lower voice drone creating an engaging effect. Piano and handchimes add sparkle and texture and provide poetic context for this time-honored hymn. Score and Parts for Handbells (3-4 oct.) available as a digital download.  

OCR (osja) Seven Strophes for a Literary Drone : Per Violino, Violoncello e Pianoforte - (2005 - rev. 2019)

Aiken Drum

Like most popular Scottish folksongs, this one is rooted in history, but now has been transformed into a nonsense song. Aiken Drum, with his clothes made of tasty food, is creatively portrayed here in this clever edition withScottish drone sounds, the melody passing from part to part, and underlying snare drum. A cheerful encore or folk selection!

Mary Dolen: Circle Dance

A lively dance tune with a Celtic flair! Mary Dolen's solo for intermediate pianists provides a terrific study in dynamic control. There are both frequent and subtle changes from mezzo-forte to mezzo-piano and piano, as well as furthter rhythmic phrasing with the left hand imitating a drum or a bagpipe drone, underneath a flowing right hand.

John Tavener: My Gaze Is Ever Upon You

This work for solo violin and tape is a series of sixteen gazes, moments and ecstatic breaths, written in Trinitarian guise - solo violin, with taped violin and string bass drone pre-recorded in a resonant acoustic. It was commissioned by Clio Gould and the BT Scottish Ensemble for the Hellenic Concert Series.This is a special item which is made to order.

Scottish Traditional: Dumfries Place

This fun-to-play dance music is based on a Scottish jig and reel. The two traditional Scottish melodies, Highlander?s Jig and Dumfries Place, are combined in an intriguing arrangement by Robert D. McCashin. An occasional drone is heard among the rhythmic drive of the supporting instruments, giving everyone an exciting role in this tribute to some of the most popular types of Scottish music!

Concerto For Oboe And Strings : Reduction for oboe and piano

A capricious, lyrical, and nostalgic work, it is often considered to be Vaughan Williams' most successful work in this form. The first movement is pastoral in feeling. The second movement begins with a minuet, light and staccato in nature with a middle section featuring a musette's characteristic long-held drone played by the oboe with the melody in the strings. The third movement is a scherzo and two trios.