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Tape and Double (Doppelt beflügeltes Band) - Krenek, Ernst

for 2 Pianos and Tape (with) sound track tape

Tape and Double (Doppelt beflügeltes Band) - Krenek, Ernst

for 2 Pianos and Tape Performance score 2piano/tape Hæftet udgave

Looking for Claudio (gtr, tape)

Solo part only. Tape available separately: 48005797

LORENTZEN TRISTAN UND DIE KÖNIGIN, SOPRAN & TAPE

LORENTZEN TRISTAN UND DIE KÖNIGIN, SOPRAN & TAPE

Henrik Hellstenius: Sokk - A Piece for Accordion and Tape (Tape on CD)

This is the accompanying CD containing the Tape part for this work. Score available separately.

Franco Dominutti: Specchi 'Comme dans un Miroir' (Flute & Tape)

for flute solo (with tape ad lib.)

Scotch Tape

Scotch Tape was written in memory of Jack Smith- phantasmagorical film-maker. It is typical of Finnissy in that it is very demanding for the performer. The upper part can be played on either clarinet or violin.

Kevin Volans: 5:4 For Percussion And Tape

Written for percussion and tape. The tape part is made by the percussionist prior to the performance.Commissioned by Frankfurt Ballet and first performed on 31st January 1997, at the Schauspielhaus, Frankfurt by Robyn Schulkowsky.

Trakturen - Michel, Wilfried

for Tape (with) sound track tape

Orga-Nastro - Krenek, Ernst

for Organ and Tape (with) sound track tape

Orga-Nastro - Krenek, Ernst

for Organ and Tape Performance score Org/tape Hæftet udgave

Trakturen - Michel, Wilfried

for Organ, Tape and Microphones Performance score Org/tape Hæftet udgave

Parastasis I - Antoniou, Theodore

Szenisches Werk for 1 Player and Tape (with) sound track tape

Säume der Zeit I - Hamel, Peter Michael

for Frauenstimme (asemantische Lautfolgen) and Tape singing score SSolo/tape Hæftet udgave

Parastasis I - Antoniou, Theodore

Szenisches Werk for 1 Player and Tape Performance score percussion/tape Hæftet udgave

Aulokithara - Krenek, Ernst

for Oboe (Englisch Horn), Harp and Tape Performance score Ob/EnglHn/harp/tape Hæftet udgave

Rapture : for Clarinet in B flat and Tape

Rapture was composed for Australian clarinetist, Eileen Mack and was premiered at Symphony Space in New York City with live visuals created by Joshue Ott and his custom program, superDraw.In performance, the live clarinetist is processed in real time with a combination of effects often associated with electric guitars; namely distortion and reverb. The transformed sound of the clarinet is supported with an intense tape part that comprises vocal recordings and recordings of Mack playing sounds, which range from sustained tones to multiphonics. In a similar process to painting, these recordings were then spliced, manipulated and layered to create the music of the tapepart.In 2012, Tzadik Records released a full album of Anna Clyne’s music, titled Blue Moth (Tzadik 8084), that showcases a diverse range of electroacoustic chamber music, including Rapture.

Säume der Zeit II - Hamel, Peter Michael

for Woodwind Instrument and Tape, Tanpura ad lib. Audio-CD siehe BA 7073/02 score clarinet/tape Hæftet udgave

Events III - Antoniou, Theodore

for large Orchestra, Tape and Slide Projector study score Fl/Ob/clarinet/bassoon/2percussion/piano/Str/tape/Dias Hæftet udgave

Wilson Piano Piece Pf/Tape Tape

PIANO PIECE

Cello Counterpoint : Version For Solo Cello and Tape

Cello Counterpoint is scored for eight Cellos and can be played by a soloist with the other parts pre-recorded (This tape is available from the Boosey & Hawkes rental library.) Alternatively,the piece can be played by a Cello Octet. (There are differences in the distribution of parts between the two versions.) The piece is in three movements: fast, slow, fast. The first and last movements are both based on a similarfour-chord cycle that moves ambiguously back and forth between C minor and E-flat major. This harmonic cycle is treated extremely freely, particularly in the third movement. The second, slow movement, is a canon in E-flatminorinvolving, near the end of the movement, seven separate voices. The piece is a little more than 11 minutes in duration and was co-commissioned by the Koussevitzky Foundation in the Library of Congress, the RoyalConservatory in The Hague and Leiden University, for Cellist Maya Beiser.

Nigel Osborne: Journey To The End Of The Night

For Oboe, Percussion and Tape.

Robert Saxton: Cantata No. 3

For Two Sopranos and Tape Delay

Dinosauros, Tape